A work in constant progress (and occasional regress).
Release Date:
October 4, 2018
Original Title:
Ceux qui travaillent
Alternate Titles:
Oni koji rade
Tie, kurie dirba
Genres:
Drama
Production Companies:
Box Productions
Novak Prod
RTBF
RTS
Teleclub
Production Countries:
Belgium | Switzerland
Ratings / Certifications:
CH: 14 FR: TP
Runtime: 102
Frank, a man of action who worked his way up all by himself, dedicates his life to work. No matter the place or the circumstances, be it day or night, he’s on the phone, handling the cargo ships he charters for major companies. But when he has to deal with a crisis situation, Frank makes a brutal decision and gets fired. Profoundly shaken, betrayed by a system to which he gave his all, he has to progressively question himself to save the one connection that still matters to him: the bond he’s managed to maintain with his youngest daughter, Mathilde.
Art Direction:
Elisabeth Houtart
Boom Operator:
Masaki Hatsui
Costume Design:
Anne Van Brée
Director:
Antoine Russbach
Director of Photography:
Denis Jutzeler
Editor:
Sophie Vercruysse
Makeup Department Head:
Leïla Fertikh
Producer:
Thierry Spicher
Elodie Brunner
Elena Tatti
Bernard De Dessus les Moustier
Olivier Dubois
Second Assistant Director:
Elena Avdija
Sound Editor:
Benjamin Benoit
Sound Re-Recording Mixer:
Mathieu Cox
Sound Recordist:
Jürg Lempen
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.