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The Man Who Surprised Everyone (2018) [N/A]

Release Date:
October 25, 2018

Original Title:
Человек, который удивил всех

Alternate Titles:
Mees, kes üllatas kõiki
Tchelovek kotorij udivil vseh
모두를 놀라게 한 남자

Genres:
Drama

Production Companies:
Arizona Productions
Chainsaw Europe
Council of Europe
Cultural Endowment of Estonia
Estonian Film Institute
Eurimages
Homeless Bob Production
Ministry of Culture of the Russian Federation
Non-Stop Productions
Pan-Atlantic Studio
Pluto Film

Production Countries:
Estonia | France | Russia

Ratings / Certifications:
RU: 18+ 

Runtime: 105

How far are you willing to go to fight for your life?

Overview from TheMovieDB

Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.

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Production

Costume Design:
Anna Bartuli

Digital Imaging Technician:
Sergey Shkreba

Director:
Alexey Chupov
Natalya Merkulova

Director of Photography:
Mart Taniel

Editor:
Vadim Krasnitsky

Graphic Designer:
Margus Tamm

Makeup Artist:
Tatiana Kolomitseva

Original Music Composer:
Andrey Kurchenko

Producer:
Alexander Rodnyansky
Ekaterina Filippova
Katrin Kissa
Guillaume de Seille

Production Design:
Sergey Avstrievskikh

Production Sound Mixer:
Stanislav Krechkov

Screenplay:
Alexey Chupov
Natalya Merkulova

Sound:
Vladimir Pryamov
Aleksandr Fedenyov

Sound Re-Recording Mixer:
Florin Tăbăcaru

Stunt Coordinator:
Andrey Sedov

VFX Artist:
Hendrik Proosa

Visual Effects Supervisor:
Jan Viljus

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.