A work in constant progress (and occasional regress).
Release Date:
December 18, 1927
Original Title:
The Love Mart
Genres:
Drama
Production Companies:
First National Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 80
Victor, an adventurous young swashbuckler in 19th-century New Orleans, takes possession of a barber shop as the result of winning a duel, and decides to settle down to a life as a barber. He meets a beautiful young woman and pursues her, but she dismisses his attentions because she thinks he is just a barber. Also pursuing the woman is the evil Capt. Remy, whom she also brushes off. He, however, doesn't take rejection so lightly, and forges papers "proving" that the girl is a "quadroon"--part black, which means that she can be sold as a slave. She is sold to Capt. Remy, and when Victor hears of it, he determines to rescue her.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.