A work in constant progress (and occasional regress).
Featuring:
Dorothy Phillips, William Stowell, Juanita Hansen
Written by:
Ida May Park
Katherine Leiser Robbins
Directed by:
Ida May Park
Release Date:
April 8, 1918
Original Title:
The Risky Road
Genres:
Drama
Production Companies:
Bluebird Photoplays
Universal Film Manufacturing Company
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 50
Ida May Park started in the film business as a scriptwriter, but in 1917 Universal announced that Park would direct films with actress and producer Dorothy Phillips for the company’s Bluebird brand. Park’s films often had a strong female perspective and The Risky Road is no exception. The story of a country girl who comes to the city to work, but falls for a rich man and undeservedly gets a bad reputation, the film was marketed as “the drama every woman should see”. The surviving fragment, showing the despair of Phillips’s character, is a real cinematic gem that leaves one yearning for more material of the film to be discovered. In 2008, a tinted nitrate fragment, with Swedish intertitles at the opening of the second reel, was deposited at the Archival Film Collections of the Svenska Filminstitutet. From the fragment, a 35mm B&W duplicate negative was made, from which this print was struck using the tinting of the nitrate as color reference.
Through a chance meeting, stenographer Marjorie Helmer becomes acquainted with Melville Kingston, a millionaire whose cynical views of love and marriage have been influenced strongly by his brother Miles's unhappy marriage. When Melville offers to support Marjorie, she realizes that his intentions are not honorable and stoutly refuses. Later, however, she loses her job, and at her wits' end, agrees to accept Melville's gifts provided that he treats her with respect. Marjorie interprets reports of a "Mrs. Kingston," actually Melville's brother's wife, as evidence that Melville is a cad and sends for her old sweetheart, Robert Grant, in despair. When Robert visits the lavishly attired Marjorie in her expensive apartment, however, he assumes the worst and attacks her. In the end, Melville confesses that he loves Marjorie and wishes to marry her.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.