A work in constant progress (and occasional regress).
Release Date:
September 28, 1979
Original Title:
A Man, a Woman and a Bank
Genres:
Comedy | Crime | Romance
Production Companies:
Bennettfilms Inc.
McNichol
Production Countries:
Canada
Ratings / Certifications:
US: PG
Runtime: 100
Two novice thieves are plotting to rob a bank in Vancouver. A photographer snaps a shot of one thief as he is carrying the bank building's blueprints. The would-be thief then begins a relationship with the photographer and attempts to retrieve the photos. Meanwhile, the thieves' plot consists of this: one man will enter the bank building after dark, while the other man sits in a van and uses a computer to unlock the building's doors. The final step involves transporting the cash to a freight ship waiting on the docks, for transportation to a money launderer in Macau.
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Assistant Director:
Fred Wang
Associate Producer:
Maurice Dunster
Casting:
Fiona Jackson
Director:
Noel Black
Director of Photography:
Jack Cardiff
Editor:
Carl Kress
Executive Producer:
Frederick Field
First Assistant Director:
Peter Bogart
Stanley Neufeld
Hairdresser:
Elaine Bowerbank
Makeup Artist:
Linda A. Brown
Basil Newall
Original Music Composer:
Bill Conti
Producer:
John B. Bennett
Peter Samuelson
Production Design:
Anne Pritchard
Production Manager:
Bob Gray
Grace Lam
Screenplay:
Raynold Gideon
Bruce A. Evans
Stuart Margolin
Second Assistant Director:
George Margellos
Set Decoration:
Annmarie Corbett
Kimberley Richardson
Story:
Raynold Gideon
Bruce A. Evans
Third Assistant Director:
Fred Frame
Title Designer:
Jeremy Lepard
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.