Vicious (2019) [N/A]

Release Date:
January 24, 2019

Original Title:
Vals

Genres:
Thriller

Production Companies:
Goldman Film
Phanta Film

Production Countries:
Belgium | Netherlands

Ratings / Certifications:
FR: 12  NL: 12 

Runtime: 97

A girls weekend in a remote cottage in the Ardennes. Relationships are put into focus - do the four girls know everything about each other? The filming of the 'best youth book' of 2012 written by Mel Wallis de Vries.

Additional information:

The Search Form


ADR Recordist:
Eelco Bakker

Additional First Assistant Camera:
Rozemarijn Stokkel

Additional Hairstylist:
Bianca van der Steen
Marloes de Jong
Sanne Gravemaker

Additional Production Assistant:
Dilara Horuz
Anna Berlis
Houk van Warmerdam

Animal Coordinator:
Sabine van der Helm

Art Department Assistant:
Cecile Hanrath

Art Department Coordinator:
Suzanne Andriessen

Assistant Director:
Janne Schmidt

Assistant Production Manager:
Laurelle Bakker

Best Boy Lighting Technician:
Reinout Bakker

Boom Operator:
Kasper van Wieringen

Camera Operator:
Niels van der Kraan

Camera Trainee:
Tarzan Rutgers
Brian Van Dijk

Casting:
Leonie Luttik
Janusz Gosschalk
Karine Roldaan

Co-Producer:
Mascha van Erven

Co-Writer:
Tjebbo Penning

Colorist:
Bart Verraest

Compositor:
Becanti Wijnbergh
Erik Bobeldijk
Pim Meijer
Timo Aaldriks

Continuity:
Stan Egberts

Costume Designer:
Fieke Nicolaï

Dialogue Coach:
Karine Roldaan

Dialogue Editor:
Antony Gray

Digital Intermediate Producer:
Jonne Roos

Director:
Dennis Bots

Director of Photography:
Rolf Dekens

Driver:
Laurelle Bakker

Drone Operator:
Rob van Heijningen

Editor:
Jurriaan van Nimwegen

Electrician:
Stan Widdershoven
Huib Berkhoff
Ciro Naastepad
Sander Idema
Steven van Hengstum
Daan Strampel

First Assistant "A" Camera:
Luuk Zonnenberg

First Assistant "B" Camera:
Rozemarijn Stokkel

First Assistant Director:
Marc van der Bijl

First Assistant Editor:
Marre Bonke

Foley Artist:
Bianca Steenhagen

Foley Mixer:
Anton Pieëte

Gaffer:
Gerard Stam

Graphic Designer:
Aukje Leenaars

Grip:
Wesley Westerhuis

Key Grip:
Richard van der Oord

Key Makeup Artist:
Jacqueline Hoogendijk

Line Producer:
Michiel Bartels
Mariel Bergema

Location Manager:
Lennart van Egmond
Simon Waterkeyn

Location Scout:
Ludo Volders

Makeup & Hair:
Jacqueline Hoogendijk

Makeup & Hair Assistant:
Carmen de Fretes

Novel:
Mel Wallis de Vries

On Set Dresser:
Mireille van Breukelen

Original Music Composer:
Merlijn Snitker

Post Production Supervisor:
Marijn de Vries
Joris van Seggelen

Producer:
Edwin Goldman
Petra Goedings
Maaike Benschop

Production Assistant:
Esra Tapan
Iris de Git
Lynn Meijer
Jimmy Groeneveld

Production Controller:
Emilie Kwist

Production Coordinator:
Marijn de Vries

Production Design:
Dimitri Merkoulov

Production Manager:
Winnie Rijnders

Production Sound Mixer:
Antoin Cox

Property Master:
Leo Zandvliet

Runner Art Department:
Sylvan Steenhuis

Script Editor:
Leontine Groen

Second Assistant "A" Camera:
Niels Zonnenberg

Second Assistant Director:
Ruud Ahsmann

Set Decoration:
Marieke Verhoeven
Dione van der Hoeven
Wendy Valentijn
Peter Rutten

Set Dresser:
Koert Scholman

Sound Designer:
Herman Pieëte

Sound Effects Editor:
Giel van Geloven

Special Effects Supervisor:
Rick Wiessenhaan

Steadicam Operator:
Erwan van Buuren

Still Photographer:
Jaap Vrenegoor

Stunt Coordinator:
Marco Maas
Ron Sleeswijk
Brian van de Vooren

Stunt Double:
Saskia Neville
Wendy Vrijenhoek

Stunt Driver:
Lutz Schleisner

Third Assistant Director:
Ruben van der Horst

Title Designer:
Sietse van den Broek

Unit Production Manager:
Sophie Slabbekoorn
Hans Heerschop

Video Assist Operator:
Stan Egberts

Visual Effects Supervisor:
David van Heeswijk

Weapons Master:
Rick Wiessenhaan

Writer:
Alexandra Penrhyn Lowe

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.