A work in constant progress (and occasional regress).
Release Date:
May 24, 2019
Original Title:
Bit
Genres:
Comedy | Horror
Production Countries:
United States of America
Ratings / Certifications:
BR: 16
Runtime: 94
A transgender teenage girl on summer vacation in LA fights to survive after she falls in with four queer feminist vampires, who try to rid the city's streets of predatory men.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Recordist:
Ray Quintana
Additional Second Assistant Director:
Nandy McClean
Art Direction:
Kurt Gefke
Assistant Editor:
Kirk Stonicker
Assistant Location Manager:
Milan Vasic
Benjamin Silva
Best Boy Electric:
Gary Soloko
Boom Operator:
Charles Stroh
Spencer Flynn
Saif Parkar
CG Artist:
Matteo Bozzolan
Gabriele Natali
Fabrizio Amoroso
Vittoria Marini
Matteo Toffanello
Camera Intern:
Evan Liu
Casting:
Scott David
Construction Coordinator:
Nate Baker
Costume Design:
Lisa Norcia
Costume Supervisor:
Heather Karasek
Costumer:
Nico Alvarado
Craft Service:
Erika Heidelberger
Dialogue Editor:
Ray Quintana
Jason Milversted
Digital Imaging Technician:
Sin Cohen
Director:
Brad Michael Elmore
Director of Photography:
Cristina Dunlap
Editor:
Ryan Dufrene
Electrician:
Louis Gonzalez
Nathan Robinson
Michael Vitz-Wong
Dennis Wrinkler
Executive Producer:
Michael D. Jones
Alan Pao
Luke Daniels
First Assistant "A" Camera:
Rachel S. Fox
First Assistant "B" Camera:
Mary Brown
Loie Russell-Templeton
Angela Ortner
Jared Wennberg
Mimi Phan
First Assistant Director:
Matthew D. Smith
Gaffer:
Shane Salyards
Hair Department Head:
Monique Hyman
Hairstylist:
Stacy Bisel
Pavy Olivarez
Key Grip:
Luke Poole
Jonathan Coyne
Key Hair Stylist:
Laura Caponera
Key Makeup Artist:
Rocky Calderon
Gage Hubbard
Leadman:
Nic Weethee
Line Producer:
Veronica Radaelli
Location Manager:
John Piccioni
Makeup Artist:
Bianca Appice
Makeup Department Head:
Desiree Falcon
Makeup Effects:
Jake Garber
Medical Consultant:
Amy Larsen
Music:
Wolfmen of Mars
Music Editor:
Ryan Dufrene
Music Supervisor:
Ian Broucek
On Set Dresser:
Raul Ortiz
Producer:
Peter Winther
Robert Reed Peterson
Nicholas Cafritz
Production Coordinator:
Maya McClean
Production Design:
Joshua Petersen
Property Master:
J.W. Hargrave
Pyrotechnic Supervisor:
Ed Felix
Screenplay:
Brad Michael Elmore
Script Supervisor:
Laura Jean Bransky
Second Assistant "A" Camera:
Nick Menio
Kelly Mitchell
Craig Samuels
Dominic Jones
Second Assistant "B" Camera:
Liam A. Miller
Renni Pollock
Kathryn Begle
Second Assistant Director:
Jason Halley
Second Second Assistant Director:
Antonio Bardales
Graham Geraghty
Nicolas Rogers
Chad Silver
Kit Conners
Set Costumer:
Jenna Mason
Set Decoration:
Chad Phillips
Set Decoration Buyer:
Stephanie Wagner
Set Dresser:
Eric Kagan
Erick Escobar
Sound Effects Editor:
Rudy Garcia
Casey Stikker
Mikey Monclut
Sound Mixer:
Phillip Bladh
Victor P. Bouzi
Sound Re-Recording Mixer:
Michael J. McDonald
Special Effects Coordinator:
Chris Bailey
Special Effects Makeup Artist:
Marcel Banks
Special Effects Technician:
Art Muzoz
Roxy Maronyan
Steadicam Operator:
Liam Clark
Stunt Coordinator:
Brian Avery
Stunt Double:
Alice Ford
Tara Macken
Lisa Catara
Mallory Thompson
Zach Hudson
Stunts:
CJ Stuart
Jason Gray
Rene Mousseux
Mark Ginther
Ryan DeVita-Loayza
Thomas DeWier
Hugh Aodh O'Brien
Alexander Smith
Brett Smrz
Supervising Sound Editor:
Michael J. McDonald
Unit Production Manager:
Michael D. Jones
VFX Artist:
Jean Claude Nouchy
Visual Effects Compositor:
Michele Zelioli
Alessandro Tagliabue
Dario Bonito
Laura Boscarino
Valentina Lucano
Fuchang Zhang
Xuncheng Chen
Linda Spaggiari
Marco Nella
Visual Effects Producer:
Heather Toll
Darko Debelic
Shirley Luong
Visual Effects Supervisor:
Max Pareschi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.