A work in constant progress (and occasional regress).
Release Date:
September 14, 1962
Original Title:
Le Diable et les Dix Commandements
Alternate Titles:
Le Diable et les 10 commandements
Genres:
Comedy
Production Countries:
France | Italy
Ratings / Certifications:
DE: 16
Runtime: 120
The film consists of seven roughly 15 minute episodes, each showing what will happen if one or more of the Ten Commandments will be broken: Jérome Chambard is warned that he will lose his job if he continues to swear; Françoise Beaufort enamored of a stripper calls on her only to find her married to a janitor who doesn't know what kind of dancing his wife performs; Denis, a Jesuit novice, leaves the order to avenge his sister's suicide, which was provoked by Garigny, who seduced her into prostitution and drug addiction; Philip buys a necklace for Micheline though he is bored with her; a young man find out that his real mother is not Madeleine, but actress Clarisse Ardant; Didier Marin, cashier of a bank, was fired by his boss; the Devil appears as a serpent for Jérome Chambard and the bishop are eating.
Assistant Director:
Tony Aboyantz
Pierre Desfons
Boom Operator:
Fernand Sartin
Cinematography:
Maurice Fellous
Dialogue:
Henri Jeanson
Michel Audiard
René Barjavel
Maurice Bessy
Pascal Jardin
Director:
Julien Duvivier
Editor:
Paul Cayatte
Hairstylist:
Jacky Bouban
Makeup Artist:
Georges Bouban
Music:
Georges Garvarentz
Michel Magne
Guy Magenta
Music Director:
Michel Magne
Novel:
David Alexander
Producer:
Robert Amon
Almos Mezo
Claude Jaeger
Production Design:
François de Lamothe
Production Manager:
Ralph Baum
Set Decoration:
Robert Christidès
Short Story:
Richard Levinson
William Link
Sound Engineer:
Guy Chichignoud
Sound Recordist:
Fernand Janisse
Special Effects:
Jean Fouchet
Title Designer:
Jean Fouchet
Unit Production Manager:
Paul Dufour
Writer:
Julien Duvivier
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.