Run Sweetheart Run (2020) [N/A]

Release Date:
January 27, 2020

Original Title:
Run Sweetheart Run

Alternate Titles:
Cours ma jolie, cours.
หนีสิ ที่รักจ๋า
ラン・スウィートハート・ラン

Genres:
Horror | Thriller

Production Companies:
Automatik Entertainment
Blumhouse Productions
Gamechanger Films
Quiet Girl Productions
Stuck On On

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  SG: M18 

Runtime: 103

A first date from hell.

A woman runs for her life though the streets of Los Angeles after her blind date suddenly turns violent.

Additional information:

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Art Direction:
Sammi Wallschlaeger

Casting:
Sarah Domeier Lindo
Terri Taylor

Co-Producer:
Jennifer Scudder Trent

Costume Designer:
Nadine Haders

Costumer:
Jocelyn Kuan
Simone Lepthien

Director:
Shana Feste

Director of Photography:
Bartosz Nalazek

Editor:
Dominic LaPerriere

Executive Producer:
Beatriz Sequeira
Jeanette Volturno
Couper Samuelson
Jennifer Besser

Hair Department Head:
Karicean 'Karen' Dick

Key Hair Stylist:
Brian Steven Banks

Key Makeup Artist:
Tara Nery

Makeup Effects Designer:
Roy Knyrim

Original Music Composer:
Robin Coudert

Producer:
Brian Kavanaugh-Jones
Jason Blum
Shana Feste

Production Design:
Page Buckner

Screenplay:
Shana Feste

Set Costumer:
Heather Hybbert

Set Dresser:
Mitchell Walters
Nikki Gagas

Sound Effects Editor:
Steve Neal

Sound Re-Recording Mixer:
Matt Yocum

Special Effects Makeup Artist:
Matt Falletta
Gage Hubbard
Robby Knyrim

Supervising Sound Editor:
Matt Yocum

Title Designer:
Sebastian Pardo

VFX Artist:
Christian Bahr
Florian Obrecht

Visual Effects Producer:
Alice Rathert

Visual Effects Supervisor:
Jean-Michel Boublil

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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