The Groom Arrives Tomorrow (1963) [G]

Release Date:
October 28, 1963

Original Title:
العريس يصل غدًا

Alternate Titles:
El Arees Yasel Ghadan

Genres:
Comedy | Romance

Production Companies:
Helmy Rafla Films

Production Countries:
Egypt

Ratings / Certifications:
US: G 

Runtime: 82

El Aris Yasel Ghadan

Anayat Hanim succeeded in having a clothing factory after the death of her husband, allowing her to live with her three daughters Samira, a bachelor of commerce, Kawther who cares only about physics, Laila who is not yet 14 years old and very lazy and dreams of the day he will marry so as not to go To school. Haj Awadallah owns a factory that he manages himself and supplies Hanayat Hanim with the finest fabrics, and thus a close relationship developed between them. Since he is single, he suggested to Annayat Hanim that they marry but they delayed the response and justified that she must marry the two girls first. Haj Awad asks his brother Fathallah and his friend Mamdouh to advance the brothers' sermon and send a telegram to Annayat Hanim telling her that the groom will arrive tomorrow.

Additional information:

The Search Form


Art Department Manager:
Maher Abdel Nour

Assistant Director:
Sherif Hamouda

Director:
Niazi Mostafa

Director of Photography:
Kamal Karim

Editor:
Abdel Aziz Fakhry

Music:
Micheal Youssef

Negative Cutter:
Laila Fahmy

Production Assistant:
Abdel Masih

Production Manager:
Mounir Helmy Rafla

Sound Engineer:
Krikor

Sound Recordist:
جلال عبدالحميد

Writer:
Niazi Mostafa
Abdel Hai Adib
Abu Seoud El-Ibiary

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.