A work in constant progress (and occasional regress).
Release Date:
March 5, 2020
Original Title:
The Way Back
Alternate Titles:
El camino de regreso
Finding the Way Back
Gavin O'Connor The Way Back
The Has-Been
Torrance
回归之路
Genres:
Drama
Production Companies:
Bron Studios
Mayhem Pictures
Pearl Street Films
Warner Bros. Pictures
Production Countries:
Canada | United States of America
Ratings / Certifications:
AU: M CZ: 18+ DE: 12 ES: 12 FI: K-7 FR: 12 GB: 15 GR: Κ-12 IE: 15A NL: 12 NZ: M PL: 18 PT: M/14 SK: 15 US: R
Runtime: 107
A former basketball all-star, who has lost his wife and family foundation in a struggle with addiction, attempts to regain his soul and salvation by becoming the coach of a disparate ethnically mixed high school basketball team at his alma mater.
"A" Camera Operator:
Peter Rosenfeld
"B" Camera Operator:
Michael Merriman
ADR Mixer:
Tami Treadwell
Jason Oliver
Art Department Coordinator:
Michael LaCorte
Art Direction:
Bradley Rubin
Assistant Art Director:
Linia Marie Hardy
Brittany Bradford
Assistant Costume Designer:
Jo Kissack Folsom
Assistant Editor:
Anna Rottke
Assistant Location Manager:
Nate Birkett
Raul Esparza III
Assistant Production Coordinator:
Jesse Trinidad
Assistant Property Master:
Rick Chavez
Assistant Sound Editor:
Mark Coffey
Best Boy Grip:
Timothy White
Boom Operator:
Craig Dollinger
Casting:
Wendy O'Brien
Casting Assistant:
Tylre Synclair
Casting Associate:
Laura Aughton
Chief Lighting Technician:
Mark McCarthy
Co-Producer:
Brittany Hapner
Construction Coordinator:
Joe Ondrejko
Costume Design:
Cindy Evans
Costume Supervisor:
Sandy Kenyon
Digital Imaging Technician:
Jesse Tyler
Director:
Gavin O'Connor
Director of Photography:
Eduard Grau
Dolly Grip:
Jim Leidholdt
Christian Franz Staab
Editor:
David Rosenbloom
Executive Producer:
Brad Ingelsby
Mark Ciardi
Bob Dohrmann
Kevin McCormick
Aaron L. Gilbert
Jason Cloth
Kaitlyn Taaffe Cronholm
Madison Ainley
Extras Casting:
Bill Dance
First Assistant "A" Camera:
Stephen MacDougall
First Assistant "B" Camera:
Jesse Cain
First Assistant Accountant:
Anthea Strangis
First Assistant Director:
Jamie Marshall
First Assistant Editor:
Joe Rosenbloom
Foley Artist:
Mike Horton
Tim McKeown
Foley Editor:
Ezra Dweck
Foley Mixer:
Walter Spencer
Graphic Designer:
Stephanie Charbonneau
Andrew Campbell
Grip:
Andrew Potter
Roy Prophet
Michael Brown
Hair Department Head:
Kristin Wahl
Key Costumer:
Cindy Rosenthal
John M. 'Jack' Wright
Key Grip:
Michael Anderson
Key Hair Stylist:
Elizabeth Cortez
Key Makeup Artist:
Jennifer Zide
Leadman:
Fred Haft
Location Manager:
Wes Hagan
Christopher Miller
Makeup Department Head:
Gerald Quist
Music Editor:
Curt Sobel
Music Supervisor:
Gabe Hilfer
Original Music Composer:
Rob Simonsen
Payroll Accountant:
Maureen O'Reilly
Producer:
Gavin O'Connor
Jennifer Todd
Gordon Gray
Ravi D. Mehta
Production Accountant:
Kelly A. Snyder
Production Coordinator:
KB Pugliese
Demelza Cronin
Production Design:
Keith P. Cunningham
Production Secretary:
Brian Corpuz
Property Master:
J.P. Jones
Publicist:
Heidi Falconer
Rigging Gaffer:
Jerardo Gomez
Script Supervisor:
Steve Gehrke
Second Assistant "A" Camera:
Jordan Pellegrini
Second Assistant "B" Camera:
Seth A. Peschansky
Second Assistant Director:
Kevin Lum
Set Costumer:
Natasha Romanow
Paul Corricelli
Set Decoration:
Douglas A. Mowat
Set Decoration Buyer:
Ellen Dorros
Jane Madden
Set Designer:
Paul Sonski
Sound Effects Editor:
Bob Kellough
Sound Mixer:
Steven A. Morrow
Sound Re-Recording Mixer:
Mark Mangini
Christopher S. Aud
Gary Summers
Special Effects Supervisor:
Larz Anderson
Still Photographer:
Richard Foreman Jr.
Stunt Coordinator:
Tom McComas
Stunts:
Oliver Keller
Courtney Farnsworth
Allan Graf
Craigory Glen Hunter
Lauren Shaw
B R Lamar
David Rowden II
Supervising Sound Editor:
Mark Mangini
Byron Wilson
Transportation Captain:
Rodrigo Dorame
Transportation Coordinator:
George A. Sack
Unit Production Manager:
Victor Ho
Bob Dohrmann
Utility Sound:
Bryan Mendoza
Visual Effects Supervisor:
Bruce Jones
Writer:
Brad Ingelsby
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.