A work in constant progress (and occasional regress).
Release Date:
February 3, 1977
Original Title:
Il cinico, l'infame, il violento
Alternate Titles:
Le Cynique, l'infâme, le violent
The Cynic, the Rat & the Fist
猎鼠行动
Genres:
Action | Crime | Thriller
Production Companies:
Dania Film
Medusa Distribuzione
Production Countries:
Italy
Ratings / Certifications:
IT: luca
Runtime: 100
Luigi "Chinaman" Maietto escapes from prison. As soon as he is free he assigns immediately two henchman to murder the inspector whose testimonial once led to his prison sentence. Inspector Tanzi is left for dead but survives. The local newspapers cover up for him and pretend the assassination had succeeded. When Tanzi gets better, his superior wants him to hide in Switzerland. But Tanzi defies him because he intends to make sure himself that Maietto is put back in prison. He goes for it.
Assistant Camera:
Mario Pastorini
Assistant Editor:
Amedeo Moriani
Marcello Cannone
Assistant Production Design:
Paolo Innocenzi
Boom Operator:
Stefano Piermarioli
Camera Operator:
Elio Polacchi
Conductor:
Alexander Blonksteiner
Costume Design:
Silvio Laurenzi
Director:
Umberto Lenzi
Director of Photography:
Federico Zanni
Editor:
Eugenio Alabiso
First Assistant Director:
Filiberto Fiaschi
Gaffer:
Roberto Belli
Hairstylist:
Iolanda Angelucci
Key Grip:
Giuseppe Gabrielli
Line Producer:
Pietro Innocenzi
Makeup Artist:
Franco Di Girolamo
Pietro Tenoglio
Original Music Composer:
Franco Micalizzi
Producer:
Luciano Martino
Production Design:
Elio Micheli
Production Secretary:
Evi Farinelli
Property Master:
Umberto Innocenzi
Screenplay:
Ernesto Gastaldi
Umberto Lenzi
Dardano Sacchetti
Script Supervisor:
Maria Luisa Merci
Sound:
Raffaele De Luca
Sound Mixer:
Bruno Moreal
Special Effects:
Gino Vagniluca
Still Photographer:
Carlo Alberto Cocchi
Story:
Sauro Scavolini
Stunt Coordinator:
Riccardo Petrazzi
Unit Manager:
Rosalba Di Bartolo Tonti
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.