A work in constant progress (and occasional regress).
Release Date:
July 24, 2020
Original Title:
Yes, God, Yes
Alternate Titles:
Oui Mon Dieu Oui
Oui, Mon Dieu, Oui !
Sí, Dios mío, sí
Yes, God, Yes: Böse Mädchen beichten nicht
Одержима Сексом
Так, Боже, так
ストレンジ・フィーリング アリスのエッチな青春白書
예스, 갓, 예스
Genres:
Comedy | Drama
Production Companies:
Maiden Voyage Pictures
RT Features
Walking Tacos
Production Countries:
Brazil | United States of America
Ratings / Certifications:
BR: 16 CA: 14A DE: 12 IE: 15 JP: R18+ MX: C NL: 12 UA: 16 US: R
Runtime: 78
Alice, a young innocent Catholic girl, is tempted into masturbating after an AOL chat suddenly turns sexual, however is conflicted as the act would be considered a sin.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Jason Hawkins
"B" Camera Operator:
Kyle Anido
Art Department Coordinator:
Diem Ngo
Assistant Editor:
Jim Chaliz
Assistant Hairstylist:
Joe Negrete
Assistant Location Manager:
Kelly McKay
Assistant Makeup Artist:
Benji Dove
Assistant Production Coordinator:
Sara Sometti Michaels
Assistant Sound Editor:
Alfred DeGrand
Best Boy Electric:
Patrick King
Best Boy Grip:
Kevin A. Cheatham
Boom Operator:
Fred Kupfer
Casting:
Rebecca Dealy
Jessica Kelly
Co-Producer:
Ryan Winterstern
Costume Design:
Brittany Loar
Costume Supervisor:
Taylor Addison
Dialogue Editor:
Bill Orrico
Digital Intermediate Colorist:
Sean Dunckley
Digital Intermediate Editor:
Kevin Szczepanski
Digital Intermediate Producer:
Matt Hubert
Director:
Karen Maine
Director of Photography:
Todd Antonio Somodevilla
Editor:
Jennifer Lee
Executive Producer:
Chris Columbus
Arianne Fraser
Sophie Mas
Karen Maine
Lourenço Sant'Anna
Delphine Perrier
Extras Casting:
Jordan Blair Mangold Brown
First Assistant "A" Camera:
Mark Ferguson
First Assistant "B" Camera:
Donovan Henneberg-Verity
First Assistant Director:
Jason Shahinfar
First Assistant Editor:
Veronica Vozzolo
Foley Editor:
Wen-Hsuan Tseng
Gaffer:
Connor O'Malley
Graphic Designer:
Patrick F. Reedy
Grip:
Michael Infante Jr.
Hair Department Head:
Anna Quinn
Key Grip:
Jonathan Brown
Leadman:
Hunter Branham
Local Casting:
Erica Arvold
Location Manager:
Kayla Gueho
Makeup Department Head:
Jordan Venetis
Music Supervisor:
Michaela Biasucci
Rylan Soref
Original Music Composer:
Ian Hultquist
Producer:
Katie Cordeal
Colleen Hammond
Eleanor Columbus
Rodrigo Teixeira
Production Accountant:
Brittany Sugarman
Production Design:
Sally Levi
Production Office Coordinator:
Tara Ansley
Production Sound Mixer:
Matt Aston
Property Master:
Kevyn Bowling
Script Supervisor:
Lisa M. Calhoun
Second Assistant "A" Camera:
Dumaine Babcock
Second Second Assistant Director:
Demetrios Anastasiow
Set Decoration:
Samantha LaRoe McDonald
Sound Effects Editor:
Alex Soto
Sound Re-Recording Mixer:
Tom Ryan
Still Photographer:
Boris Martin
Ben Rothstein
Stunt Coordinator:
Scott Dale
Stunts:
Marcelle Coletti
Supervising Sound Editor:
Tom Ryan
Title Designer:
Karl Smudski
Unit Production Manager:
Harrison Huffman
Writer:
Karen Maine
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.