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Yes, God, Yes (2020) [R]

Release Date:
July 24, 2020

Original Title:
Yes, God, Yes

Alternate Titles:
Oui Mon Dieu Oui
Oui, Mon Dieu, Oui !
Sí, Dios mío, sí
Yes, God, Yes: Böse Mädchen beichten nicht
Одержима Сексом
Так, Боже, так
ストレンジ・フィーリング アリスのエッチな青春白書
예스, 갓, 예스

Genres:
Comedy | Drama

Production Companies:
Maiden Voyage Pictures
RT Features
Walking Tacos

Production Countries:
Brazil | United States of America

Ratings / Certifications:
BR: 16  DE: 12  IE: 15  JP: R18+  NL: 12  UA: 16  US: R 

Runtime: 78

Being bad has never felt so good.

Overview from TheMovieDB

Alice, a young innocent Catholic girl, is tempted into masturbating after an AOL chat suddenly turns sexual, however is conflicted as the act would be considered a sin.

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Additional information:

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Video

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Trailer

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

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Production

"A" Camera Operator:
Jason Hawkins

"B" Camera Operator:
Kyle Anido

Art Department Coordinator:
Diem Ngo

Assistant Editor:
Jim Chaliz

Assistant Hairstylist:
Joe Negrete

Assistant Location Manager:
Kelly McKay

Assistant Makeup Artist:
Benji Dove

Assistant Production Coordinator:
Sara Sometti Michaels

Assistant Sound Editor:
Alfred DeGrand

Best Boy Electric:
Patrick King

Best Boy Grip:
Kevin A. Cheatham

Boom Operator:
Fred Kupfer

Casting:
Rebecca Dealy
Jessica Kelly

Co-Producer:
Ryan Winterstern

Costume Design:
Brittany Loar

Costume Supervisor:
Taylor Addison

Dialogue Editor:
Bill Orrico

Digital Intermediate Colorist:
Sean Dunckley

Digital Intermediate Editor:
Kevin Szczepanski

Digital Intermediate Producer:
Matt Hubert

Director:
Karen Maine

Director of Photography:
Todd Antonio Somodevilla

Editor:
Jennifer Lee

Executive Producer:
Chris Columbus
Lourenço Sant'Anna
Sophie Mas
Karen Maine
Arianne Fraser
Delphine Perrier

Extras Casting:
Jordan Blair Mangold Brown

First Assistant "A" Camera:
Mark Ferguson

First Assistant "B" Camera:
Donovan Henneberg-Verity

First Assistant Director:
Jason Shahinfar

First Assistant Editor:
Veronica Vozzolo

Foley Editor:
Wen Hsuan Tseng

Gaffer:
Connor O'Malley

Graphic Designer:
Patrick F. Reedy

Grip:
Michael Infante Jr.

Hair Department Head:
Anna Quinn

Key Grip:
Jonathan Brown

Leadman:
Hunter Branham

Local Casting:
Erica Arvold

Location Manager:
Kayla Gueho

Makeup Department Head:
Jordan Venetis

Music Supervisor:
Michaela Biasucci
Rylan Soref

Original Music Composer:
Ian Hultquist

Producer:
Katie Cordeal
Colleen Hammond
Rodrigo Teixeira
Eleanor Columbus

Production Accountant:
Brittany Sugarman

Production Design:
Sally Levi

Production Office Coordinator:
Tara Ansley

Production Sound Mixer:
Matt Aston

Property Master:
Kevyn Bowling

Script Supervisor:
Lisa M. Calhoun

Second Assistant "A" Camera:
Dumaine Babcock

Second Second Assistant Director:
Demetrios Anastasiow

Set Decoration:
Samantha LaRoe McDonald

Sound Effects Editor:
Alex Soto

Sound Re-Recording Mixer:
Tom Ryan

Still Photographer:
Boris Martin
Ben Rothstein

Stunt Coordinator:
Scott Dale

Stunts:
Marcelle Coletti

Supervising Sound Editor:
Tom Ryan

Title Designer:
Karl Smudski

Unit Production Manager:
Harrison Huffman

Writer:
Karen Maine

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.