A work in constant progress (and occasional regress).
Release Date:
February 3, 1982
Original Title:
La Chanson du mal-aimé
Alternate Titles:
Hnijící kouzelník
Život Guillauma Apollinaira
Genres:
Drama | History
Production Companies:
Filmové studio Barrandov
Link Production Paris
Production Countries:
Czechoslovakia | France
Ratings / Certifications:
N/A
Assistant Camera:
Václav Zajíček
Assistant Director:
Radovan Urban
Denis Epstein
Patrice Bertrand
Zdeněk Troška
Assistant Editor:
Rose Selder
Assistant Production Design:
Olga Rosenfelderová
Assistant Production Manager:
Roman Bartoníček
Camera Operator:
Kamil Kadeřábek
Clapper Loader:
Helena Živná
Conductor:
Štěpán Koníček
Continuity:
Chantal Nicole
Eve Bovier-Lapierre
Costume Design:
Jan Kropáček
Christine Mandouze
Costumer:
František Zapletal
Vladimíra Zadražilová
Brigitte Demouzon
Creative Producer:
Vladimír Kalina
Václav Erben
Director:
Claude Weisz
Director of Photography:
Josef Pávek
Dramaturgy:
Miloš Pohorský
Editor:
Marielle Issartel
Executive Producer:
Václav Cajthaml
First Assistant Director:
Marc Cémin
Zdena Lukášová
Gaffer:
Jaroslav Betka
Lead Costumer:
Zdena Šnajdarová
Makeup & Hair:
Miloslav Jandera
Dominique de Vorges
Florence Fouquier D'Herouel
Eva Vyplelová
Božena Došlá
Original Music Composer:
Michèle Bernard
Alain Labarsouque
Producer:
André de Blanzy
Production Design:
Bohumil Pokorný
Production Manager:
Zdeněk Oves
Robert Paillardon
Property Master:
Ladislav Winkelhöfer
Josef Dvořák
Pyrotechnician:
Jiří Berger
Jiří Pelant
Screenplay:
Katarína Slobodová
Claude Weisz
Set Decoration:
Karel Karas
Vladimír Ježek
Cora Aram
Pavel Dvorský
Sound:
Nara Kollery
Jean-Pierre Ruh
Alain Garnier
Jean-Bernard Thomasson
Sound Assistant:
Zdeněk Tatýrek
Still Photographer:
Alena Červená
Story:
Claude Weisz
Unit Production Manager:
Ivo Pitrák
Farid Chaouche
Jarmila Benešová
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.