A work in constant progress (and occasional regress).
Release Date:
February 23, 2020
Original Title:
High Ground
Alternate Titles:
Avstralska planota
Genres:
Action | Drama | Thriller | Western
Production Companies:
Film Victoria
High Ground Pictures
Maxo
Savage Films
Screen Australia
Production Countries:
Australia
Ratings / Certifications:
AU: MA 15+ BR: 16 DE: 16 GB: 15 RU: 16+ US: NR
Runtime: 104
In a remote corner of the wild country, a bloody war rages. Travis is a bounty hunter with one last hope of redemption. Gutjuk is a young Indigenous man trying to save the last of his family. Together they embark on a manhunt, which unravels a secret that ultimately pits them against each other.
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"B" Camera Operator:
Pietro Cusimano
ADR Coordinator:
Ash Cottrell
ADR Mixer:
Aidan Dykes
Will Carroll
ADR Recordist:
Liesl Pieterse
Actor's Assistant:
Katherine Gillespie
Heath Baxter
Armorer:
Scott Warwick
Art Department Coordinator:
Ash Cottrell
Assistant Director:
Mark Boskell
Assistant Editor:
Shaun Smith
Michael Melis
Assistant Electrician:
Chris Mitchell
Nathan Grant
Best Boy Grip:
John Regan
Mark Hanneysee
Casting:
Anousha Zarkesh
Casting Associate:
Micaeley Gibson
Colorist:
Dee McClelland
Cj Dobson
Construction Manager:
Phil Ghys
Costume Assistant:
Madolyn McCarthy
Costume Designer:
Erin Roche
Costume Standby:
Lachy Lang
Renee Goodman
Costume Supervisor:
Michael Davies
Costumer:
Sabrina Santucci
Dialogue Editor:
Glenn Newnham
Liesl Pieterse
Director:
Stephen Johnson
Director of Photography:
Andrew Commis
Drone Operator:
Josh Labita
Editor:
Jill Bilcock
First Assistant "A" Camera:
Gerard Maher
First Assistant Director:
Mark Boskell
Foley Recordist:
Alex Francis
Gaffer:
Ruru Reedy
Key Grip:
Glenn Arrowsmith
Lighting Technician:
Crispian Hayler
Line Producer:
Darren McFarlane
Location Assistant:
Nicci Dillon
Location Manager:
Andrew Perry
Makeup Artist:
Marie Kealy
Post Producer:
Gemila Iezzi
Alexandra Doering
Post Production Scripts:
Reezy Miller
Producer:
David Jowsey
Maggie Miles
Witiyana Marika
Greer Simpkin
Stephen Johnson
Production Accountant:
Jannine Barnes
Production Assistant:
Kelly Hamilton
Katherine Gillespie
Production Coordinator:
Chrissy Rosman
Production Design:
Ross Wallace
Production Manager:
Darren McFarlane
Production Runner:
Carmen Robinson
Nathaniel Paterson
Niki Bazukiewicz
Production Secretary:
Stephanie Westwood
Property Master:
Marney McKenna
Props:
Tim Disney
Scenic Artist:
Ross Wallace
Script Consultant:
Andy Cox
Script Editor:
Maggie Miles
Andy Cox
Karin Altmann
Script Supervisor:
Benedict Paxton-Crick
Second Assistant Camera:
Kristi Gilligan
Matt Bedford
Second Assistant Director:
Robert K. Rogers
Second Second Assistant Director:
David Fraser Young
Second Unit Director of Photography:
Thom Neal
Sound:
Nick Emond
Sound Assistant:
Veronica Lynch
Sound Designer:
Chris Goodes
Sound Editor:
Glenn Newnham
Dylan Burgess
Sound Re-Recording Mixer:
Chris Goodes
Detlef Halaski
Sound Recordist:
Glenn Fitzpatrick
Nick Emond
Special Effects Assistant:
Mark Feltrin
Special Effects Supervisor:
John Sanderson
Still Photographer:
Sarah Enticknap
Story:
Stephen Johnson
Chris Anastassiades
Witiyana Marika
Stunt Coordinator:
Reg Roordink
Stunts:
Mick Glancy
Supervising Sound Editor:
Chris Goodes
VFX Artist:
Leath Mattner
Rui Li
Greg Cooper
Visual Effects Supervisor:
David Redman
Writer:
Chris Anastassiades
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.