Superintelligence (2020) [PG]

Release Date:
December 11, 2020

Original Title:
Superintelligence

Alternate Titles:
Superintelligence
Искусственный интеллект
אינטליגנציית-על

Genres:
Comedy | Romance | Science Fiction

Production Companies:
Creative Wealth Media Finance
New Line Cinema
On the Day
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  DE: 6  ES: 12  FR: 10|U  GB: PG  HU: 12  IE: PG  NL: 6  NZ: PG  RU: 16+  US: PG 

Runtime: 106

Single. Unemployed. Likes James Corden.

When an all-powerful Superintelligence chooses to study the most average person on Earth, Carol Peters, the fate of the world hangs in the balance. As the A.I. decides to enslave, save or destroy humanity, it’s up to Carol to prove that people are worth saving.

Additional information:

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"A" Camera Operator:
Kris Krosskove

"B" Camera Operator:
Casey Hotchkiss

ADR Mixer:
Jason Oliver
Chris Navarro
Thomas J. O'Connell

Art Direction:
Jeremy Woolsey

Assistant Art Director:
Brittany Hites

Associate Producer:
Celia Khong

Boom Operator:
Troy A. Johnson

Camera Loader:
Jennifer Braddock
Nick Cannon

Casting:
Kris Redding
Allison Jones

Costume Design:
Melanie Ghisays

Dialogue Editor:
Angela Ang

Director:
Ben Falcone

Director of Photography:
Barry Peterson

Editor:
Tia Nolan

Executive Producer:
Richard Brener
Jason Cloth
Aaron L. Gilbert

First Assistant "A" Camera:
Jeffrey N. Civa

First Assistant "B" Camera:
Fred Thomas

First Assistant Director:
Richard Cowan

First Assistant Editor:
Stuart Sperling
Kristine McPherson

Foley Artist:
Catherine Harper
Katherine Rose

Foley Mixer:
Randy Singer

Hair Department Head:
Shunika Terry

Hairstylist:
Linda D. Flowers

Key Grip:
Kurt Kornemann

Key Hair Stylist:
Lisa Ann Wilson

Key Makeup Artist:
Sarah Graham

Makeup Artist:
Pamela S. Westmore

Makeup Department Head:
Kimberly Jones

Original Music Composer:
Fil Eisler

Post Production Supervisor:
Ruth Hasty

Producer:
Melissa McCarthy
Rob Cowan
Ben Falcone

Second Assistant "A" Camera:
Trey Twitty

Second Assistant Director:
David Waters

Set Decoration:
Missy Parker

Sound:
Benjamin Farthing

Sound Designer:
Cameron Frankley

Sound Effects Editor:
Dan Kenyon

Sound Mixer:
Mary H. Ellis

Sound Re-Recording Mixer:
Tim LeBlanc
Cameron Frankley

Sound Supervisor:
Cameron Frankley

Still Photographer:
Hopper Stone

Stunt Coordinator:
Walter Garcia
Luci Romberg

Stunts:
Peter Epstein
Gary Peebles
Jwaundace Candece
Meredith Richardson
Katie Eischen
Isaac Hughes

Supervising ADR Editor:
Jon Michaels

Supervising Dialogue Editor:
Jon Michaels

Supervising Sound Editor:
Jon Michaels

Unit Production Manager:
Rob Cowan

Unit Publicist:
Deborah Simmrin

Visual Effects Editor:
Lorena Talpan

Writer:
Steve Mallory

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.