A work in constant progress (and occasional regress).
Release Date:
May 27, 2008
Original Title:
Cure for Love
Genres:
Documentary
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 59
A full-length documentary about a controversial evangelical movement that purports to convert gay people into heterosexuals. The film brings us inside this unusual Christian subculture and follows the lives of several young people whose homosexuality is at odds with their religious beliefs.
ADR Editor:
John Iaquinta
Additional Camera:
Julia Ain Burns
Peter Ladiges
Francine Pelletier
Administration:
Darin Clausen
Associate Producer:
Julia Ain Burns
Color Grading:
Howard Wirth
Director:
Francine Pelletier
Christina Willings
Director of Photography:
Shaun Henning
Editor:
Paul Mortimer
Executive Producer:
Nancy Laing
David Christensen
Graydon McCrea
Derek Mazur
Sarah Jane Flynn
Legal Services:
Linda Callaghan
Online Editor:
Howard Wirth
Original Music Composer:
Jeff Bray
Post Production Coordinator:
Bonnee McLachlan
Post Production Supervisor:
Deborah Osborne
Producer:
Christina Willings
Bonnie Thompson
Production Assistant:
James Bakunas
Juli Butler
Production Coordinator:
Faye Yoneda
Ginette D'Silva
Production Supervisor:
Mark Power
Researcher:
Dixie Baum
Arlene Moscovitch
Christina Willings
Tanya Fleet
Sound Designer:
Jordan Wiberg
Sound Re-Recording Mixer:
John Iaquinta
Sound Recordist:
Antonio Aroyo
Gabe Chu
Kate Kechnie
Steve Lafayette
Christopher Miller
Sound Supervisor:
Dan McManus
Story Consultant:
Trevor Grant
Francine Pelletier
Transcriptions:
Bridget Toms
Writer:
Christina Willings
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.