A work in constant progress (and occasional regress).
Release Date:
January 18, 2019
Original Title:
The Standoff at Sparrow Creek
Alternate Titles:
Militia
The Incident at Sparrow Creek Lumber
Genres:
Crime | Drama | Thriller
Production Companies:
Cinestate
Look to the Sky Films
Madhouse Entertainment
Torfoot Films
XYZ Films
Zero Trans Fat Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 16 FI: K-16 GB: 15 SE: 15 US: NR
Runtime: 88
After a mass shooting at a police funeral, reclusive ex-cop Gannon finds himself unwittingly forced out of retirement when he realizes that the killer belongs to the same militia he joined after quitting the force. Understanding that the shooting could set off a chain reaction of copycat violence across the country, Gannon quarantines his fellow militiamen in the remote lumber mill they call their headquarters. There, he sets about a series of grueling interrogations, intent on ferreting out the killer and turning him over to the authorities to prevent further bloodshed.
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Art Direction:
Jonathan Rudak
Best Boy Grip:
Caleb Robertson
Casting:
David Guglielmo
Costume Design:
Rachel C. Wilson
Director:
Henry Dunham
Director of Photography:
Jackson Hunt
Editor:
Josh Ethier
Executive Producer:
Todd Brown
Steve Gossett Jr.
Nate Bolotin
Michael Shader
Preston Poulter
First Assistant Director:
Meg Beatty
Producer:
Adam Donaghey
Sefton Fincham
Dallas Sonnier
Amanda Presmyk
Johnathan Brownlee
Production Design:
Adam Dietrich
Script Supervisor:
Jason Matthews
Second Assistant Director:
Rachel Svatos
Set Decoration:
Winona Yu
Sound Designer:
Lawrence He
Sound Effects Editor:
Brian Berger
Tasha Skotnicki
Victor Horozov
Sound Re-Recording Mixer:
Yagmur Kaplan
Special Effects Coordinator:
Chris A. Wilks
Stunt Coordinator:
Russell Towery
Supervising Sound Editor:
Christopher Sheldon
Unit Production Manager:
Adam Donaghey
Visual Effects Supervisor:
Thomas D. Moser
Writer:
Henry Dunham
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.