A work in constant progress (and occasional regress).
Featuring:
Cécile de France, Edouard Baer, Alice Isaaz
Written by:
Denis Diderot
Emmanuel Mouret
Directed by:
Emmanuel Mouret
Release Date:
September 12, 2018
Original Title:
Mademoiselle de Joncquières
Alternate Titles:
Mademoiselle de Joncquières
Señorita J
The Art of Seduction
마드모아젤
Genres:
Drama | Romance
Production Companies:
ARTE France Cinéma
Moby Dick Films
Production Countries:
France
Ratings / Certifications:
BE: 6 CA: 14A CH: 16 DE: 16 FR: U KR: 15세 이상 관람가 NL: 6 PL: 16 SG: PG13
Runtime: 110
When a romance between a widow and a notorious libertine takes an unexpected turn, Mademoiselle de Joncquières becomes instrumental to one lover’s plans for revenge.
Madam de La Pommeraye, a young widow removed from the world, assigns to the court of the marquis des Arcis, licentious notorious. After a few years of a happiness without flaw, she discovers that the Marquis is tired of their union. Madly in Love and terribly injured, she decides to take revenge on him with the complicity of Mademoiselle de Joncquières and its mother.
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Internet Movie Database | 6.8/10 |
---|---|
Rotten Tomatoes | 85% |
Awards Won: | 1 win & 14 nominations |
Assistant Camera:
Nicolas Lebigue
Boom Operator:
Franck Cartaut
Camera Operator:
Sacha Duval
Casting:
Constance Demontoy
Chief Lighting Technician:
Colas Jourdain
Choreographer:
Corinne Devaux
Co-Producer:
Olivier Père
Costume Design:
Pierre-Jean Larroque
Director:
Emmanuel Mouret
Director of Photography:
Laurent Desmet
Editor:
Martial Salomon
First Assistant Camera:
Cécile Bodénès
First Assistant Director:
Juliette Maillard
Hairdresser:
Jane Milon
Makeup Artist:
Sarah Beaupoux
Novel:
Denis Diderot
Producer:
Frédéric Niedermayer
Production Manager:
Éric Chabot
Screenplay:
Emmanuel Mouret
Set Decoration:
David Faivre
Sound:
François Méreu
Maxime Gavaudan
Mélissa Petitjean
Still Photographer:
Pascal Chantier
Third Assistant Director:
Thibault Lejeune
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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