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The Mind Benders (1963) [N/A]

Release Date:
February 1, 1963

Original Title:
The Mind Benders

Alternate Titles:
El extraño caso del doctor Longman
Fesseln der Seele
Il cranio e il corvo
Manden der skiftede sjæl
惊心动魄

Genres:
Drama | Thriller

Production Companies:
Anglo-Amalgamated
Michael Relph Productions

Production Countries:
United Kingdom

Ratings / Certifications:
GB: 12 

Runtime: 109

PERVERTED... SOULESS! The Most Dangerous And Different Motion Picture Ever Brought To The Screen!

Overview from TheMovieDB

A British scientist is discovered to have been passing information to the Communists, then kills himself. Another scientist decides that they might have brainwashed him by a sensory deprivation technique, but he doesn’t know if someone really can be convinced to act against their strongest feelings. So he agrees to be the subject in an experiment in which others will try to make him stop loving his wife.

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Production

Art Direction:
Jim Morahan

Assistant Director:
Basil Rayburn

Camera Operator:
Eric Besche

Conductor:
Muir Mathieson

Construction Manager:
Bill Surridge

Continuity:
Susan Dyson

Costume Design:
Anthony Mendleson

Director:
Basil Dearden

Director of Photography:
Denys N. Coop

Editor:
John D. Guthridge

Hairdresser:
Pearl Orton

Makeup Artist:
Harry Frampton

Original Music Composer:
Georges Auric

Producer:
Michael Relph

Production Manager:
Charles Orme

Screenplay:
James Kennaway

Sound Re-Recording Mixer:
Robert T. MacPhee

Sound Recordist:
Gordon K. McCallum
Vivian Temple-Smith

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.