A work in constant progress (and occasional regress).
Release Date:
October 18, 2019
Original Title:
Jojo Rabbit
Alternate Titles:
Caging Skies
Dovşan Jojo
JOJO兔
Jänespüks Jojo
ต่ายน้อยโจโจ้
ジョジョ・ラビット:2019
乔乔的异想世界
少年乔乔的异想世界
조조 래빗
Genres:
Comedy | Drama | War
Production Companies:
Defender Films
Fox Searchlight Pictures
Piki Films
Production Countries:
New Zealand | United States of America
Ratings / Certifications:
AU: M BR: 14 CZ: 12+ DE: 12 DK: 15 ES: 12 FI: K-12 FR: U|12 GB: 12A GR: Κ HK: IIA HU: 12 IE: 12A JP: PG12 KR: 12 LT: N-13 MX: B NL: 12 PL: 12 PT: M/14 RO: 12 SE: 15 SG: PG13 SK: U TW: 輔12 US: PG-13
Runtime: 108
A World War II satire that follows a lonely German boy whose world view is turned upside down when he discovers his single mother is hiding a young Jewish girl in their attic. Aided only by his idiotic imaginary friend, Adolf Hitler, Jojo must confront his blind nationalism.
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"B" Camera Operator:
Jiří Málek
"C" Camera Operator:
Karel Fairaisl
Milan Chadima
ADR Coordinator:
Annabel Martin
ADR Mixer:
Charleen Richards-Steeves
Daniel Douglass
David Betancourt
Nick Kray
ADR Recordist:
Tristan Rose
David Lucarelli
Jesse Johnstone
Art Direction:
Radek Hanák
Pierre Bonhomme
Ondřej Lipenský
Associate Producer:
John O'Grady
T.K. Knowles
Boom Operator:
Matěj Němec
Martin Švojger
Petr Forejt
Tomáš Červenka
Casting:
Maya Kvetny
Des Hamilton
Colorist:
Tim Stipan
Concept Artist:
Brendan Heffernan
Continuity:
Adéla Kroupová
Costume Design:
Mayes C. Rubeo
Costume Supervisor:
Kateřina Polanská
Dialogue Editor:
Helen Luttrell
David V. Butler
Director:
Taika Waititi
Director of Photography:
Mihai Malaimare Jr.
Dolly Grip:
Lukás Rezek
David Vacek
Editor:
Tom Eagles
Executive Producer:
Kevan Van Thompson
First Assistant "A" Camera:
Shaun Mayor
First Assistant "B" Camera:
Tomas Munzberger
First Assistant "C" Camera:
Martin Maryška
Petr Braun
First Assistant "D" Camera:
Ondřej Kos
First Assistant Director:
Mark Taylor
Frantisek Rezek
Foley Artist:
Steve Baine
Foley Editor:
Justin M. Davey
Foley Mixer:
Peter Persaud
Key Grip:
Kim Worthington
Makeup & Hair:
Dannelle Satherley
Makeup Artist:
Linda Kvasničková
Christine Beveridge
Music Editor:
Paul Apelgren
Novel:
Christine Leunens
Original Music Composer:
Michael Giacchino
Post Production Supervisor:
David McKimmie
Producer:
Taika Waititi
Chelsea Winstanley
Carthew Neal
Production Assistant:
Angela Vitas
Production Design:
Ra Vincent
Production Sound Mixer:
Petr Forejt
Scoring Mixer:
Dennis S. Sands
Screenplay:
Taika Waititi
Script Supervisor:
Vera Homolacova
Second Assistant "A" Camera:
Jan Prokeš
Second Assistant "B" Camera:
Jan Dvorak
Marek Havel
Second Assistant "C" Camera:
Ondřej Kudrna
Second Assistant Director:
Martina Götthansova
Second Second Assistant Director:
Martina Frimelova
Set Costumer:
Vendy Vosatkova
Set Decoration:
Nora Sopková
Set Dresser:
Martin Svandrlik
Sound Designer:
Tobias Poppe
Sound Effects Editor:
Jon Title
Sound Engineer:
Geoff Ethridge
Samuel R. Green
Sound Mixer:
Daniel Němec
Sound Re-Recording Mixer:
Ai-Ling Lee
Steadicam Operator:
Aleš Belak
Daniel Vagenknecht
Still Photographer:
Kimberly French
Petr Stuna
Stunt Coordinator:
Radek Brůna
Stunt Double:
Hana Dvorská
Stunts:
Jan Blahák
Miroslav Lhotka
David Bílek
Jan Arnošt
Jaroslav Peterka
Marek Simbersky
Jaroslav Pšenička
Ivo Zubaty
Marie Svecova
Josef Jelínek
Ladislav Lahoda
Supervising ADR Editor:
Susan Dawes
Supervising Sound Editor:
Ai-Ling Lee
Third Assistant Director:
Karel Kubis
Martin Oktabec
David Strangmüller
Unit Production Manager:
Vaclav Mottl
Pavel Voráček
VFX Artist:
Russell Hopwood
Doug Spilatro
Rick Ravenell
Visual Effects Producer:
Paul Driver
Michael Perdew
Visual Effects Supervisor:
Brendan Seals
Jason Chen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.