A work in constant progress (and occasional regress).
Release Date:
March 16, 2018
Original Title:
Gone Are the Days
Alternate Titles:
Redemption: The Last Outlaw
Genres:
Western
Production Companies:
Directional Entertainment
Oculi Entertainment
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 US: R
Runtime: 99
The story of notorious outlaw Taylon Flynn, a man hell-bent on exiting this life in a blaze of glory. His plans go awry upon the discovery of the sordid life his estranged daughter is forced to live. To save her, he must summon the inner demons he purged long ago, and finds that redemption is a hard road to travel.
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Armorer:
Todd Creason
Mike Tristano
Assistant Property Master:
Colten McCranie
Associate Producer:
James Khanlarian
Best Boy Grip:
Chris Bond
Camera Intern:
Saxon Richardson
Casting:
Mary Jo Slater
Costume Design:
Shelley Caudill
Director:
Mark Landre Gould
Director of Photography:
Andrew Russo
Editor:
Mark Landre Gould
Richard Hocutt
Jeff Pierce
Executive Producer:
Lawrence Mortorff
Gregory M. Tucker
Stacie M. Tucker
First Assistant Camera:
Matthew Borek
Michael Cardenas
Trevor Smith
Graphic Designer:
Ronald Suk
Grip:
Dennis Ly
Key Grip:
Felipe Pena
Key Makeup Artist:
Brittany White
Lighting Technician:
Aaron Pagniano
Makeup Department Head:
Ashlyn McIntyre
Music:
DeAndre James Allen-Toole
Kubilay Uner
Producer:
Richard J. Cook
Mark Landre Gould
Richard Hocutt
Nicole Rodan
Production Coordinator:
Erin Letarte
Production Design:
Burns Burns
Production Supervisor:
Christine Altomari
Property Master:
Mocha Johnson
Script Supervisor:
Felecia Howell
Second Assistant Camera:
Loren Azlein
Set Costumer:
John Ostrander
Set Decoration:
Eric Liebrecht
Set Designer:
Eric Liebrecht
Set Dresser:
Derek Severson
Cait Chapin
Still Photographer:
Ronald Suk
Title Designer:
Ronald Suk
Writer:
Gregory M. Tucker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.