A work in constant progress (and occasional regress).
Release Date:
June 18, 2020
Original Title:
You Should Have Left
Alternate Titles:
Deberias Haberte Ido
Tu aurais dû partir
You Should Have Left
Ти повинен був піти
レフト きょうふぶっけん
レフト 恐怖物件
レフト-恐怖物件-:2020
유 슈드 해브 레프트
Genres:
Horror | Thriller
Production Companies:
Blumhouse Productions
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 16 DE: 16 FR: U GB: 18 NL: 18 PL: 18 SE: 15 TW: 限制級 US: R
Runtime: 93
In an effort to repair their relationship, a couple books a vacation in the countryside for themselves and their daughter. What starts as a perfect retreat begins to fall apart as one loses their grip on reality, and a sinister force tries to tear them apart.
3D Artist:
Prashant Jadhav
ADR Mixer:
Mark DeSimone
ADR Recordist:
Kristin Catuogno
Art Department Assistant:
India Gaul
Art Department Production Assistant:
Francis Hibbs
Art Direction:
Adam Marshall
Assistant Art Director:
Luiza Pissurno
Louise Lannen
Assistant Editor:
Taylor Landesman
Jo Dale
Assistant Hairstylist:
Jason Milani
Best Boy Grip:
Johnny Smith
Ben Gooder
Boom Operator:
Duncan Craig
Camera Operator:
Rory Moles
Spike Morris
Carpenter:
Dean Moran
Casting:
Terri Taylor
Casting Assistant:
S.G. Gallagher
Rae Robinson
Casting Associate:
Ally Conover
Sarah Domeier Lindo
Co-Producer:
Jennifer Scudder Trent
Beatriz Sequeira
Ryan Turek
Colorist:
Lucie Barbier
Costume Assistant:
Grace Joel
Katie Broome
Costume Design:
Karen Malecki
Susie Coulthard
Costume Standby:
Gabrielle Edmunds
Costume Supervisor:
Jen Davies
Digital Imaging Technician:
Jacob Robinson
Director:
David Koepp
Director of Photography:
Angus Hudson
Draughtsman:
Jasmine Lean
Dressing Prop:
Joe Fitz-Gerald
Sullivan Cayless
Drone Operator:
Ben Platts
Editor:
Derek Ambrosi
Electrician:
Joel Rainsley
Greg McFarlane King
Scott Youlden
Henriette Kristine Jacobsen
Russ Greening
Executive Producer:
Derek Ambrosi
Couper Samuelson
Jeanette Volturno
Finishing Producer:
Zac Gobetz
First Assistant Camera:
Johnny Sousa
Julia Green
First Assistant Director:
Tom White
Mick Ward
Foley Artist:
Paul Hanks
Foley Mixer:
Simon Trundle
Gaffer:
Mark Holownia
Hair Department Head:
Patricia Leonidas
Kymbra Callaghan
Hair Designer:
Polly Earnshaw
Key Grip:
Adrian Barry
Key Hair Stylist:
Margarita Allen
Charlotte Clark
Key Makeup Artist:
Cynthia O'Rourke
Leadman:
Roland Trafton
Makeup Artist:
Robin Pritchard
Makeup Designer:
Polly Earnshaw
Makeup Trainee:
Emelia Corfe
Music Editor:
Kira Belin
Music Supervisor:
Julie Sessing
Novel:
Daniel Kehlmann
Original Music Composer:
Geoff Zanelli
Post Production Coordinator:
Barbara Twist
Post Production Supervisor:
Miranda Jones
Producer:
Jason Blum
Dean O'Toole
Production Assistant:
Elisha Enfield
Production Coordinator:
Celine Cripps
Production Design:
Sophie Becher
Megan Elizabeth Bell
Production Secretary:
Yolantha Morrigan
Production Supervisor:
Jenny Lovin
Prosthetic Makeup Artist:
Jessica Brooks
Screenplay:
David Koepp
Script Supervisor:
Silvia Bellitto
Second Assistant Camera:
Matt Wright
Second Unit Cinematographer:
Luca Del Puppo
Second Unit Director of Photography:
Katie Swain
Set Decoration:
Clare Andrade
Emily Deason
Set Dresser:
Brook Schafer
Nicholas Griffo
Nathan Fisher
Sound Designer:
Robert Ireland
Sound Mixer:
Paul Schwartz
John Rodda
Sound Re-Recording Mixer:
Coll Anderson
Mike Prestwood Smith
Special Effects Assistant:
Callum Anderson
Special Effects Makeup Artist:
Robin Pritchard
Louie Zakarian
Special Effects Supervisor:
Alexander Gunn
Standby Art Director:
Kerry-Ellen Maxwell
Standby Carpenter:
James Wright
Standby Painter:
Eddie Wolstencroft
Steadicam Operator:
Tom Wilkinson
Devon Catucci
Still Photographer:
Nick Wall
Studio Teacher:
Frances Heeber
Stunt Coordinator:
Chris Pollard
Stunts:
Sarah Lochlan
Matthew Bell
Supervising Art Director:
Kiera Tudway
Supervising Sound Editor:
Lee Herrick
Unit Production Manager:
Megan Wynn
Franses Simonovich
Visual Effects:
Pavan Balagam
Tarun Malla
Visual Effects Coordinator:
Shane Jaeger-Collins
Visual Effects Supervisor:
Brooke Lyndon-Stanford
Wesley Froud
Justin Cornish
Weapons Master:
Travis Caverhill
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.