A work in constant progress (and occasional regress).
Release Date:
March 1, 2018
Original Title:
Un Figlio a Tutti i Costi
Alternate Titles:
Dziecko Za WszelkÄ… CenÄ™
Ett Barn Till Varje Pris
Right On Target, Baby
Genres:
Comedy
Production Companies:
Arturo and Mario Productions
Easy Cinema
Production Countries:
Italy
Ratings / Certifications:
FR: 16 PL: 12 SE: 11
Runtime: 110
Orazio and Anna want a child at all costs. However, due to the stress her husband is under, the baby does not arrive. With him exhausted, his wife has a valid alternative to a possible adoption: another man will give her the child she longs for in a completely natural way.
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Assistant Camera:
Francesco Morino
Maria Luisa Zito
Assistant Editor:
Michele Saccucci
Giuseppe Bravo
Assistant Production Manager:
Martina Iandolo
Best Boy Electric:
Mauro Mura
Best Boy Grip:
Paolo Sperati
Boom Operator:
Roberto Di Lorenzo
Costume Assistant:
Serena Orlando
Costumer:
Elektra del Gaudio
Data Management Technician:
Giovanni Villani
Dialogue Editor:
Riccardo Landi
Director:
Fabio Gravina
Director of Photography:
Sandro Chessa
Driver:
Francesco Fabbri
Emanuele Ricci
Electrician:
Severino Verrengia
Attilio Lambiase
Gianluca Costantini
Andrea Patrinicola
Executive Producer:
Salvatore Scarico
First Assistant Camera:
Giuseppe Chessa
First Assistant Director:
Eugenia Del Gaudio
Grip:
Veronica Lanteri
Fabio Langella
Key Hair Stylist:
Graziano Grace Caliandro
Makeup Department Head:
Ylenia Esposito
Miccol Cappelli
Original Music Composer:
Gigi D'Alessio
Producer:
Salvatore Scarico
Production Manager:
Veronica Rossi
Production Secretary:
Alice Tamburrino
Screenplay:
Salvatore Scarico
Fabio Gravina
Script Supervisor:
Anna Sperati
Second Assistant Director:
Gabriele Morzilli
Set Decoration:
Giuseppe Marzano
Sound:
Antonio Casparriello
Story:
Fabio Gravina
Stunts:
Alfonso Giorgio
Zippo Pompei
Supervising Editor:
Giuseppe Di Renzo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.