A work in constant progress (and occasional regress).
Release Date:
April 29, 1994
Original Title:
The Favor
Alternate Titles:
A letto con l'amico
Anekpliroto pathos
Bana bir Iyilik yap
Egy kis szívesség
El favor
Et frækt forslag
Ett farligt förslag
Gia to hatiri tou erota
Les fantasmes de Kathy
Przysluga
The Favour
The Indecent Favour
Um Favor Indecente
Um Pedido Muito Estranho
Usluga
Услуга
Услугата
Genres:
Comedy | Romance
Production Companies:
Nelson Entertainment
Orion Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 97
On the eve of her high school reunion, bored housewife Kathy convinces her single best friend Emily to seduce an old flame Tom, so she can get all the juicy details. But when Emily falls for Tom, it's like high school all over again!
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Art Direction:
Mark Haack
Assistant Art Director:
Jack E. Pelissier Jr.
Michael Moran
Assistant Costume Designer:
Cynthia L. Hamilton
Associate Producer:
Christa Vausbinder
Peter Frankfurt
Casting:
Patti Carns Kalles
Bonnie Timmermann
Co-Producer:
Josann McGibbon
Sara Parriott
Charles Skouras III
Costume Design:
Carol Oditz
Director:
Donald Petrie
Director of Photography:
Tim Suhrstedt
Editor:
Harry Keramidas
Executive Producer:
Barry Spikings
Rick Finkelstein
Donna Dubrow
Key Hair Stylist:
Tammy Kusian
Leslie Ann Anderson
Key Makeup Artist:
Ronnie Specter
Kathryn Bihr
Music Editor:
Bill Bernstein
Music Supervisor:
Steve Tyrell
Original Music Composer:
Thomas Newman
Producer:
Lauren Shuler Donner
Production Design:
David Chapman
Script Supervisor:
Susan Bierbaum
Set Decoration:
Clay A. Griffith
Sound Editor:
Chester Slomka
Virginia Cook-McGowan
Mary Ruth Smith
Sound Mixer:
Stephan von Hase
Supervising Sound Editor:
Victoria Rose Sampson
Writer:
Sara Parriott
Josann McGibbon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.