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The Mule (2018) [R]

Release Date:
December 14, 2018

Original Title:
The Mule

Alternate Titles:
Correio de Droga
La mule
Mula
Mulai
運び屋：2018

Genres:
Crime | Drama

Production Companies:
Bron Studios
Creative Wealth Media Finance
Imperative Entertainment
Malpaso Productions
Warner Bros. Pictures

Production Countries:
Canada | United States of America

Ratings / Certifications:
AU: M  BR: 16  CH: 12  CZ: 18+  DE: 12  DK: 11  ES: 12  FI: K-12|K-16  FR: U  GB: 15  GR: Κ-15  HK: IIB  HU: 16  IE: 15A  IL: 14  IT: T  KR: 15  LT: N-16  MX: C  NL: 12  NO: 12  PL: 16  PT: M/14  RO: 18  RU: 18+  SE: 11  SG: M18  SK: 15  TW: 15+  US: R 

Runtime: 116

Nobody Runs Forever

Overview from TheMovieDB

Earl Stone, a man in his eighties, is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he's just signed on as a drug courier for a Mexican cartel. He does so well that his cargo increases exponentially, and Earl hit the radar of hard-charging DEA agent Colin Bates.

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Trailer

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Performers

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Production

24 Frame Playback:
Terry Fitzpatrick

2D Supervisor:
Amit Kumar

Aerial Camera:
Owen Patry

Aerial Camera Technician:
Eric Dvorsky

Aerial Director of Photography:
Hans Bjerno

Ager/Dyer:
Jack Taggart

Art Department Coordinator:
Lindsay Good

Art Direction:
Julien Pougnier
Rory Bruen

Assistant Chief Lighting Technician:
David Elwell

Assistant Costume Designer:
Michael Crow

Associate Producer:
Holly Hagy

CG Artist:
Richard Alonso

CG Supervisor:
Liz Radley

Casting:
Tara Feldstein Bennett
Chase Paris

Casting Director:
Geoffrey Miclat

Co-Producer:
Jillian Apfelbaum
David M. Bernstein

Compositor:
Abhishek Shaw
Ryan Allen

Costume Design:
Deborah Hopper

Costume Supervisor:
Mitchell Ray Kenney

Costumer:
Dinah Lightsey

Digital Compositor:
Shizan Faisal
Mrinal Ranjan
Kelsey Elias

Digital Effects Supervisor:
Jason Bowers

Digital Imaging Technician:
Michael Kellogg

Director:
Clint Eastwood

Director of Photography:
Yves Bélanger

Editor:
Joel Cox

Executive Producer:
Ruben Fleischer
David Bernad
Aaron L. Gilbert
Todd Hoffman

First Assistant "A" Camera:
James W. Apted

First Assistant "B" Camera:
Matthew McGinn

Gaffer:
James B. Crawford

Grip:
Kyle Leftridge

Lighting Technician:
Brandon Crawford
Tim Chang

Original Concept:
Sam Dolnick

Original Music Composer:
Arturo Sandoval

Producer:
Clint Eastwood
Dan Friedkin
Tim Moore
Kristina Rivera
Bradley Thomas
Jessica Meier

Production Design:
Kevin Ishioka

Rigging Gaffer:
Tyler Childs

Rigging Grip:
Matt Shearer

Screenplay:
Nick Schenk

Script Supervisor:
Ana Maria Quintana

Set Costumer:
Vicente Parada
Matthew Jerome
Kim Trujillo

Set Decoration:
Ronald R. Reiss

Sound Effects Editor:
Christian Wenger
John Joseph Thomas
Darren Maynard
Goeun Lee

Sound Mixer:
Steven A. Morrow

Sound Re-Recording Mixer:
John T. Reitz
Dean A. Zupancic

Still Photographer:
Claire Folger

Stunt Coordinator:
Doug Coleman

Stunt Double:
Allen Robinson

Stunt Driver:
Eliza Coleman
Jenny Jerman
Trent Brya
Warren Jones
Scott Dale
Thom Williams
Alexander Hashioka Oatfield

Stunts:
Dean Grimes
Charlie Parrish
Aaron Matthews
Bobby Hernandez
Derek Russo
Cristin Azure
C.C. Ice

Supervising Sound Editor:
Alan Robert Murray

Tailor:
Kathy Oberlin

Utility Stunts:
Scott Dale

Visual Effects Coordinator:
Graham Tailleur

Visual Effects Producer:
Adam Ohl

Visual Effects Supervisor:
Rick Sander

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.