A work in constant progress (and occasional regress).
Release Date:
December 24, 2003
Original Title:
Monster
Alternate Titles:
A rém
Monster - Basada en una historia real
Monster - Desejo Assassino
Genres:
Crime | Drama
Production Companies:
DEJ Productions
Denver & Delilah Productions
K/W Productions
MDP Worldwide
Media 8 Entertainment
Newmarket Films
VIP 2 Medienfonds
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 AU: MA15+ BR: 16 CH: 16 DE: 16 GB: 18 IE: 18 KR: 18 NL: 16 PL: - PT: M/16 RU: 18+ US: R
Runtime: 110
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Grayson Austin
ADR Mixer:
Robert Deschaine
ADR Recordist:
Tami Treadwell
ADR Voice Casting:
Caitlin McKenna
Additional Camera:
Bob Scott
Additional Hairstylist:
Deborah Brozovich
Additional Photography:
Stephen Campbell
Tom Richmond
Additional Set Dresser:
James Parker
Bret Kane
Eric Baker
Jeff 'J.Mac' McDonald
John Tegethoff
Tammie N. Byers
Bethany Berry-Weiss
Art Department Coordinator:
Karen Rigsby
Art Direction:
Orvis Rigsby
Assistant Editor:
Michael Nouryeh
George Cunningham
Assistant Makeup Artist:
Jonah Levy
Rodger Jacobs
Carol Rasheed
Assistant Property Master:
Andrew Wert
Associate Producer:
David Alvarado
Best Boy Electric:
Scott Stuart
Jack Nealy
Best Boy Grip:
Kevin Jackson
Richard Ramee
Patrick K. Meng
Boom Operator:
Scott Clements
Kevin Cerchiai
Camera Car:
Grady Bishop
Charlie Seale
Camera Loader:
Scot A. Nederman-Paul
Arthur Yambor
Camera Operator:
Stephen Campbell
Casting:
Ferne Cassel
Kimberly Mullen
Mark Mullen
Chief Lighting Technician:
Ted Hayash
Co-Producer:
Brent Morris
Color Timer:
Bob Fredrickson
Construction Coordinator:
Michael Edling
Construction Foreman:
Douglas Winters
Costume Design:
Rhona Meyers
Costume Supervisor:
Pamela Lee Incardona
Emae Villalobos
Costumer:
Emily Harris
Terri Binion
Judi Stewart
Dialogue Editor:
Lou Kleinman
Digital Colorist:
Mitch Paulson
Director:
Patty Jenkins
Director of Photography:
Steven Bernstein
Dolby Consultant:
Andy Potvin
Dolly Grip:
Ben Kanegson
Editor:
Jane Kurson
Arthur Coburn
Electrician:
Michael Bedore
Louis Normandin
Tim McGuire
John Woruck
Rick F. Daus Jr.
Kevin J. Burroughs
Russell Curtis
Marc Wostak
Jonathan Stoll
Kate Nocks
Ken Hoover
Jon Bowen
Michael D. Fitzgerald
John Sawyer
Epk Director:
Gabriel London
Executive Producer:
Andreas Grosch
Sammy Lee
Stewart Hall
Meagan Riley-Grant
Andreas Schmid
First Assistant "A" Camera:
J. Steven Latham
First Assistant "B" Camera:
Josh Harrison
First Assistant Camera:
Erik Emerson
Vali Valus
Paige Thomas
First Assistant Director:
David Allen Cluck
First Assistant Sound Editor:
John Cannon
Foley Editor:
Carey Milbradt
Foley Mixer:
Carey Milbradt
Gaffer:
Sean Tanner
Grip:
Gary H. Clay
Sean Fisher
Phil Stevenson
S. Mattieu Workman
Michael 'Doc' Cetrulo
Marvin Haven
Sean R. Wilson
Brendan Duffy
Stephen Herter
Kenny Rivenbark
Samuel Andy Seely
James D. Travis
Jason Bing
Hair Assistant:
Terrie Irwin
Mary Hedges Lampert
Key Grip:
Richard L. Cottrell
Vidal Cohen
Ben Bardin
Key Hair Stylist:
Kathe Swanson
Key Makeup Artist:
Lee Grimes
Key Set Costumer:
Claudia Combee
Leadman:
Jim S. Williams
Location Assistant:
Mary Ross
Location Manager:
Linda Kai
Rick Callan
Location Scout:
Lucy Olney
Main Title Designer:
Elton Garcia
Makeup Artist:
Toni G
Jeff Standard
Music Coordinator:
Jenée DeAngelis
Music Editor:
Brian Bulman
Joshua Winget
Music Supervisor:
Howard Paar
On Set Dresser:
Dan Wilkerson
Original Music Composer:
BT
Other:
Darrel Drinkard
Playback Coordinator:
Kirk Tedeski
Post Production Consulting:
Joe Fineman
Post Production Supervisor:
Michael Toji
Producer:
Mark Damon
Brad Wyman
Donald Kushner
Clark Peterson
Charlize Theron
Production Design:
Edward T. McAvoy
Production Sound Mixer:
Peter J. Devlin
Production Supervisor:
Matthew Waldman
Jimmy Li
Arie Bohrer
Property Master:
Cornellius Carroll
Gene Siegmund
Stitch Crisp
Prosthetics:
Yoichi Art Sakamoto
Rigging Gaffer:
Michael J. Walsh
Scenic Artist:
Alan S. Reynolds
Mary Jo Snyder
John Balling
James B. Perdue
Screenplay:
Patty Jenkins
Script Supervisor:
Stephanie Lowell
Alice Wymer
Second Assistant Camera:
Benjamin Lowell
Robert Veliky
John Oliveri
Chip Monk
Second Assistant Director:
Jay Ostrowski
Second Second Assistant Director:
Tony Taylor
Second Unit Director:
Guy Livneh
Second Unit Director of Photography:
Guy Livneh
Second Unit First Assistant Director:
Derek W. Tow
Set Decoration:
Shawn R. McFall
Set Dresser:
Rex Christensen
Sound Designer:
Zack Davis
Geoffrey G. Rubay
Sound Editor:
Karen Vassar Triest
Sound Effects Editor:
John Dunn
Sound Engineer:
David Young
Jeff Glueck
John Bires
Sound Re-Recording Assistant:
Steve Bartkowicz
Sound Re-Recording Mixer:
Marc Fishman
Tony Lamberti
Sound Recordist:
Matt Colleran
Steven Barkan
Sound Supervisor:
Zack Davis
Geoffrey G. Rubay
Special Effects Assistant:
Kevin Morrissey
Special Effects Coordinator:
Phillip Beck
Special Effects Technician:
Ron Keller
Steadicam Operator:
Grayson Austin
Still Photographer:
Gene Page
Stunt Coordinator:
Kane Hodder
Stunt Double:
Shanna Lynn
Stunts:
Kiana Politis
Swing:
Michael Hendrick
Transportation Coordinator:
Danny Mortenson
Unit Production Manager:
Craig W. Richards
VFX Artist:
Erik Dehkhoda
Adam Stern
Dennis Fitzsimmons
Visual Effects Supervisor:
Christopher Dusendschon
Wardrobe Assistant:
Andrea Hathaway
Amelia Buhrman
Unchin Lee
Al Almeida
Sara McInturff
Jen Haines
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.