A work in constant progress (and occasional regress).
Release Date:
August 15, 2008
Original Title:
Vicky Cristina Barcelona
Alternate Titles:
Вики Кристина Барселона
午夜巴塞罗那
情迷巴塞隆拿
내 남자의 아내도 좋아
Genres:
Drama | Romance
Production Companies:
Atresmedia
Dumaine Productions
Gravier Productions
Mediapro
Production Countries:
Spain | United States of America
Ratings / Certifications:
AT: 6 AU: M BR: 12 CH: 6 DE: 6 FR: U GB: 12 IE: 15 KR: 15 NL: 6 NO: 12 PL: 16 PT: M/12 US: PG-13
Runtime: 96
Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Animator:
Vadim Turchin
Additional Casting:
Pep Armengol
Luci Lenox
Art Direction:
Iñigo Navarro
Santo Loquasto
Assistant Accountant:
Saray Perez
Assistant Costume Designer:
Macarena García
Assistant Editor:
Kate Rose Itzkowitz
Elise DuRant
Assistant Location Manager:
Maria Torrellas Paris
Assistant Makeup Artist:
Ana Caballero
Esther Plaza
Assistant Sound Editor:
Matthew Haasch
Associate Producer:
Tadeo Villalba Jr.
Eva Garrido
Best Boy Electric:
Manel Fernández
Best Boy Grip:
José Ángel Manrique
Boom Operator:
Shaun Mills
Camera Operator:
Josu Inchaustegui
Jonathan Herron
Casting:
Juliet Taylor
Patricia Kerrigan DiCerto
Casting Assistant:
Julie Schubert
Anabel Pereda
Clapper Loader:
Beatriz Delgado
Co-Executive Producer:
Jack Rollins
Charles H. Joffe
Javier Méndez
Co-Producer:
Helen Robin
Color Timer:
Harry Muller
Costume Assistant:
Fran Cruz
Joaquín Montull
Lucía López
Costume Design:
Sonia Grande
Dialogue Editor:
Sylvia Menno
Director:
Woody Allen
Director of Photography:
Javier Aguirresarobe
Dolby Consultant:
Thomas Kodros
Editor:
Alisa Lepselter
Electrician:
Roberto Escudero
Javier Guerrero
Diego Moyano
Pablo Suñer
Executive Producer:
Jaume Roures
Extras Casting:
Sandra Sánchez
Extras Casting Assistant:
Ana Fibla
Cristina Font
First Assistant Director:
Daniela Forn
Richard Patrick
First Assistant Editor:
Morgan Neville
Focus Puller:
Francesc Carreras
Foley Artist:
Jay Peck
Foley Editor:
Dave Paterson
Foley Recording Engineer:
Ryan Collison
Gaffer:
José Luis Rodríguez
Michael F. Burke
Grip:
Mundo Mulero
Hair Designer:
Manolo García
Hairdresser:
Jesús Martos
Hairstylist:
Robert Fama
Key Grip:
John Finnerty
Leadman:
Daniel K. Grosso
Line Producer:
Bernat Elias
Location Manager:
Lluís Botella
Christie Mullen
Makeup Artist:
Eva Quilez
Lori Hicks
Makeup Designer:
Ana Lozano
Negative Cutter:
Mo Henry
Post Production Coordinator:
Scott Kordish
Producer:
Stephen Tenenbaum
Gareth Wiley
Letty Aronson
Production Accountant:
Ali Moshref
Production Controller:
Pietro Lorino, Jr.
Production Coordinator:
Almudena Cormenzana
Production Design:
Alain Baineé
Production Office Assistant:
Mar Farga
Production Secretary:
Jo Gallagher
Production Sound Mixer:
Peter Glossop
Projection:
Adrianne Jorge
Property Buyer:
Marina Pozanco
Paula de la Fuente
Screenplay:
Woody Allen
Script Supervisor:
Maralyn Causley
Jessica Lichtner
Second Assistant Director:
Anna Rua
Ainara Gamero
Murphy Occhino
Set Decoration:
Sol Caramilloni
Sylvia Steinbrecht
Set Dresser:
Chan Canelo
Joxean Goya
Set Propsman:
Miguel Ángel Delgado
Carlos Grané
Sound Assistant:
Jorge Adrados
Sound Editor:
David Wahnon
Sound Effects Editor:
Glenfield Payne
Sound Mixer:
Joe White
Sound Re-Recording Mixer:
Lee Dichter
Still Photographer:
Víctor Bello
Jessica Miglio
Supervising Sound Editor:
Robert Hein
Third Assistant Director:
Víctor Cuadrado
Transportation Captain:
Iván Gómez
Peter Tavis
Unit Manager:
Oriol Marcos
Unit Production Manager:
Helen Robin
Visual Effects Designer:
Randall Balsmeyer
Visual Effects Producer:
Adrienne Winterhalter
Wardrobe Supervisor:
Michael Adkins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.