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Don't Leave Home (2018) [N/A]

Release Date:
March 10, 2018

Original Title:
Don't Leave Home

Genres:
Mystery | Thriller

Production Companies:
Cranked Up Films
Dialectic
DreamAlliance Entertainment
Indie Entertainment
Orama Filmworks
Salem Street Entertainment

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 86

Overview from TheMovieDB

An American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.

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Additional information:

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Trailer

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Performers

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Production

ADR Recordist:
Lyman Hardy

Art Direction:
Lisa Laratta
John McHale

Assistant Accountant:
Emily Tebbitt

Assistant Makeup Artist:
Niamh O'Malley

Associate Producer:
Alex Lipschultz
David Sack
Kevin Wong
Peter Sack
Kent Redwine
Alex Witherill
Tony Della Morte
Charlton Roberts
Carlton Evans

Boom Operator:
Andrew Douglas

Clapper Loader:
Sean Kingston

Co-Executive Producer:
Davis Wetzel
Meryl Goldsmith

Co-Producer:
Adam Donaghey
Shrihari Sathe

Continuity:
Christine Dilworth

Costume Assistant:
Ciara McCarthy O'Brien

Costume Design:
SJ Ffrench-O'Carroll

Daily Electrics:
Stephen Doyle
John Creagh

Dialogue Editor:
Beau Emory

Digital Imaging Technician:
Chris Thompson

Digital Intermediate Assistant:
Alex Jimenez

Digital Intermediate Colorist:
Alex Bickel

Digital Intermediate Producer:
Claudia Guevara

Director:
Michael Tully

Director of Photography:
Wyatt Garfield

Editor:
Zach Clark

Executive Producer:
Leo Staurulakis
Richard C. Jones
Todd Traina
Lorelei Tong
Gus Deardoff
Cheryl Dillard Staurulakis
Bobby Campbell
Todd Remis
David Moscow
Karrie Cox
Marcus Cox

First Assistant Camera:
Ryan Croci

First Assistant Director:
Daire Glynn
Thomas Fernandes

Focus Puller:
Esme Pum McNamee

Foley Artist:
Leslie Bloome
Joanna Fang

Foley Editor:
Nick Seaman

Foley Mixer:
Ryan Collison

Gaffer:
Stephen McCarthy
Ben Ellsworth-Feher

Generator Operator:
Sean Creagh

Grip:
Richie Egan

Hairstylist:
Roxanne McDanel

Key Grip:
Reynaldo Diaz

Key Hair Stylist:
Amy Wilson

Key Makeup Artist:
Amy Wilson

Lighting Production Assistant:
Sean Weiss

Location Assistant:
Joseph Joyce

Makeup Artist:
Roxanne McDanel

Original Music Composer:
Michael Montes

Producer:
Aoife O'Sullivan
Tristan Lynch
George Rush
Jeffrey Allard
Walter S. Hall
Ryan Zacarias

Production Accountant:
Sophie Tebbitt

Production Assistant:
Holly Dowling

Production Coordinator:
Trish Ryan

Production Design:
Bart Mangrum

Production Executive:
Annika Cassidy

Props:
Damian Draven
Donnarose Garrett

Script Supervisor:
Paul Vance

Second Assistant Camera:
Jesse Vielleux

Second Assistant Director:
Stephen Rigney
Orla King

Set Decoration Buyer:
Dustin Schroff

Set Dresser:
Damian Draven

Sound Re-Recording Mixer:
Ryan Billia

Sound Recordist:
Renée Stairs
Michael Lemass

Still Photographer:
Simon Lazewski

Supervising Sound Editor:
Ryan Billia

Swing:
Fionna Mog Ford

Third Assistant Director:
Aisling O'Farrell

Title Designer:
Teddy Blanks

Unit Production Manager:
Liam Ryan
Tyler Owen

VFX Supervisor:
Chris Connolly

Wardrobe Supervisor:
Celina Ferencz

Writer:
Michael Tully

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.