Home

A Beautiful Day in the Neighborhood (2019) [PG]

Release Date:
September 7, 2019

Original Title:
A Beautiful Day in the Neighborhood

Alternate Titles:
Beautiful Day in the Neighborhood, A
Bonjour, voisin
I'm Proud of You
L'Extraordinaire Mr. Rogers
Um Lindo Dia na Vizinhanca
Um Lindo Dia na Vizinhança
Un ami extraordinaire
Un amico straordinario
Un amigo extraordinario
You Are My Friend
Ти си ми приятел
ملاقات با آقای مجری
เรื่องเล่าวันฟ้าสวย
在晴朗的一天出发
知音有约

Genres:
Drama | Family | History

Production Companies:
Big Beach
Tencent Pictures
TriStar Pictures

Production Countries:
China | United States of America

Ratings / Certifications:
BE: 14  BR: 12  CA: PG  ES: 7  GB: PG  GR: Κ  HU: 16  IE: PG  IT: T  JP: G  KR: ALL  NL: 12  PL: 12  PT: M/12  RO: 15  RU: 18+  SK: 12  US: PG 

Runtime: 109

Neighbor. Icon. Friend.

Overview from TheMovieDB

An award-winning cynical journalist, Lloyd Vogel, begrudgingly accepts an assignment to write an Esquire profile piece on the beloved television icon Fred Rogers. After his encounter with Rogers, Vogel's perspective on life is transformed.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Clip

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Tony Martinez
Bill Sweeney

ADR Recordist:
Bobby Johanson
Mark DeSimone
Michael Miller
David Boulton

Art Department Coordinator:
Teresa Donatelli

Art Direction:
Gregory A. Weimerskirch
Gary Kosko

Assistant Accountant:
Jimmy Ray Sorrells
Sarah Jane Grande

Assistant Art Director:
Corey Sweazen

Assistant Chief Lighting Technician:
Buzzy Burwell
Allan Barch

Assistant Costume Designer:
James Hammer

Assistant Location Manager:
Phil Pierre
Brandon Marlan
Greg Felmley

Assistant Production Coordinator:
David Billy Cole

Assistant Sound Editor:
Filipe Messeder

Associate Producer:
Havilah Brewster

Best Boy Grip:
Michael Zinobile

Camera Loader:
Gabe Marchetti

Camera Operator:
Sam Ellison

Casting:
Avy Kaufman

Casting Assistant:
Alex Ghaffari

Casting Associate:
Harrison Nesbit

Chief Lighting Technician:
Ross Dunkerley

Co-Producer:
Wenxin She

Compositor:
Josh Child

Conductor:
Tim Davies

Construction Coordinator:
Buster Pile

Construction Foreman:
Michael G. Richer

Costume Coordinator:
Emmanuelle Martin

Costume Design:
Arjun Bhasin

Costume Supervisor:
Darcie Buterbaugh

Costumer:
Gina La Monica
Jillian Rose Keenist
Teeara Donner
Wyatt Bartlett
Emily McElroy

Craft Service:
Ginny Minuto

Digital Compositor:
Tonya Smay
Amy Christensen

Digital Imaging Technician:
Anthony Hechanova
David Satin

Director:
Marielle Heller

Director of Photography:
Jody Lee Lipes

Dolly Grip:
Brian 'Buzz' Buzzelli

Editor:
Anne McCabe

Executive Producer:
Micah Fitzerman-Blue
Noah Harpster
Bergen Swanson
Howard Chen
Edward Cheng

Extras Casting:
Chelsea Lynn Peterson

First Assistant Accountant:
Jim Dunlap

First Assistant Camera:
Aurelia Winborn

First Assistant Director:
Tomas Deckaj

First Assistant Editor:
Adam Dicterow

Foley Artist:
Jay Peck

Foley Supervisor:
Bill Sweeney

Graphic Designer:
Brad Towell

Hair Department Head:
Tony Ward

Hairstylist:
Alta Marie Bialon
Candace Orlandi
Jason Renner

In Memory Of:
Jim Emswiller

Key Costumer:
Tori Musial

Key Grip:
Bart Flaherty

Key Hair Stylist:
Donita Sather

Key Makeup Artist:
Cyndilee Rice

Key Rigging Grip:
Brian Powers

Leadman:
Aaron Streiner

Location Manager:
Kent Jackson

Main Title Designer:
Aaron Becker

Makeup Artist:
Darylin Nagy
Eve Negley
Christopher Patrick

Makeup Department Head:
Ma Kalaadevi Ananda

Music Editor:
John M. Davis

Music Supervisor:
Howard Paar

Orchestrator:
Tim Davies

Original Concept:
Tom Junod

Original Music Composer:
Nate Heller

Payroll Accountant:
Alexandra Somand

Post Production Supervisor:
Kelley Cribben

Producer:
Marc Turtletaub
Peter Saraf
Youree Henley
Leah Holzer

Production Accountant:
Ilana McAllistor

Production Coordinator:
Janice F. Sperling

Production Design:
Jade Healy

Production Manager:
Richard E. Chapla Jr.

Property Master:
Philip Schneider

Screenplay:
Micah Fitzerman-Blue
Noah Harpster

Script Supervisor:
Rebecca Breckel

Second Assistant Camera:
Liz Hedges

Second Assistant Director:
Susan Ransom-Coyle

Second Second Assistant Director:
Alyssa Batchelor

Set Decoration:
Merissa Lombardo

Set Designer:
Adele Plauche

Set Dresser:
Mamie Stein

Sound Designer:
Damian Volpe

Sound Effects Editor:
Glenfield Payne
Sean Garnhart

Sound Re-Recording Mixer:
Damian Volpe

Special Effects Coordinator:
Raymond M. Tasillo

Still Photographer:
Lacey Terrell

Storyboard Artist:
Jason Millet

Stunt Coordinator:
Doug Coleman

Stunts:
Brian Machleit
Rene Mousseux
John Sundquist

Supervising Dialogue Editor:
Tony Martinez

Supervising Sound Editor:
Damian Volpe

Transportation Captain:
Donald A. Kraus

Transportation Co-Captain:
Frank Conforti

Transportation Coordinator:
Kim Fouche-Tipton

Unit Production Manager:
Bergen Swanson

Visual Effects:
Grant Anderson

Visual Effects Coordinator:
David Entin
Shannen Walsh

Visual Effects Producer:
Steven Weigle

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.