A work in constant progress (and occasional regress).
Release Date:
May 13, 2003
Original Title:
Strange Frequency²
Genres:
Horror
Production Companies:
Broadway Video
Once and Future Films
Paramount Pictures
VH1
Viacom Productions
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 85
Strange Frequency 2
Assistant Editor:
Joseph Butler
Travis Harrison
Camera Operator:
Greg Fox
Casting:
Matthew Barry
Nancy Green-Keyes
Chief Lighting Technician:
John Scott
Co-Executive Producer:
Richard Davis
Costume Designer:
Christine Mooney
Costume Supervisor:
Kurtis Reeves
Director:
Neill Fearnley
Kevin Inch
Jeff Woolnough
Director of Photography:
Philip Linzey
Randal Platt
Editor:
Joseph Butler
Tom Walls
Chris G. Willingham
Executive Producer:
Jim Sharp
Dan Merchant
First Assistant Director:
Kevin Parks
Blair Freeman-Marsh
Hairstylist:
Janet Sala
Key Grip:
John Spencer-Phillips
Key Makeup Artist:
Margaret Yaworski
Local Casting:
Trish Robinson
Location Manager:
Rick Fearon
Music Editor:
Stan Jones
Music Supervisor:
Jim Hilton
Post Production Coordinator:
Derek Bodkin
Post Production Supervisor:
Jim Hilton
Producer:
Frederic B. Blankfein
Sherry King-Bloxham
Dale Kutzera
Joseph Anaya
Production Coordinator:
Sheryl Rhodes
Production Design:
Richard Paris
Linda Del Rosario
Property Master:
Terry Weaver
Script Supervisor:
Beth Mercer
Second Assistant Director:
Victor Landrie
Set Decoration:
Ide Foyle
Sound Mixer:
Kevin Sands
Special Effects:
Kim Mortenson
Story:
Dale Kutzera
Scott Frost
Steve Jones
Stunt Coordinator:
Garvin Cross
Supervising Sound Editor:
Mark R. Crookston
Teleplay:
Dale Kutzera
Joseph Anaya
Dan Merchant
Steve Jones
Transportation Coordinator:
Dave Liboiron
Unit Production Manager:
Don Knodel
Visual Effects Design Consultant:
Matthew Gore
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.