A work in constant progress (and occasional regress).
Release Date:
May 2, 2019
Original Title:
Top End Wedding
Alternate Titles:
Boda en top end
Hochzeit Down Under
Meine chaotische Hochzeit
Top-End Wedding
无上婚宴
Genres:
Comedy
Production Companies:
Goalpost Pictures
KOJO Entertainment
Screen Australia
Production Countries:
Australia
Ratings / Certifications:
AU: M DE: 12 GB: 15 HU: 16
Runtime: 113
Lauren and Ned are engaged, they are in love, and they have just ten days to find Lauren’s mother who has gone AWOL somewhere in the remote far north of Australia, reunite her parents and pull off their dream wedding.
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Art Direction:
Joey Charlton
Casting:
Kirsty McGregor
Costume Designer:
Heather Wallace
Costume Supervisor:
Lisa Javelin
Dialect Coach:
Jennifer White
Digital Imaging Technician:
Ben Hunt
Director:
Wayne Blair
Director of Photography:
Eric Murray Lui
Editor:
Chris Plummer
Executive Producer:
Ben Grant
Glen Condie
First Assistant "A" Camera:
Ricky Schamburg
First Assistant Director:
Richard McGrath
Grip:
Matan Tatarko
Key Grip:
Matt Richardson
Lighting Technician:
David Tilburey
Line Producer:
Fiona Lanyon
Location Manager:
Jesse Goninon
Makeup Designer:
Beverley Freeman
Music:
Dave McCormack
Original Music Composer:
Antony Partos
Post Production Coordinator:
Georgina Cunningham
Producer:
Kate Croser
Rosemary Blight
Kylie du Fresne
Production Design:
Amy Baker
Scoring Mixer:
Evan McHugh
Script Supervisor:
Mojgan Khadem
Second Assistant Camera:
Jac Norton
Second Assistant Director:
Killian Maguire
Set Dresser:
Lillian Chester
Sound Effects Editor:
Tom Heuzenroeder
Sound Re-Recording Mixer:
Pete Smith
Sound Recordist:
Will Sheridan
Steadicam Operator:
Tim Walsh
Still Photographer:
John Platt
Supervising Dialogue Editor:
Jed M. Dodge
Supervising Sound Editor:
Robert Mackenzie
Tara Webb
Third Assistant Director:
Joel Brown
Visual Effects Supervisor:
Marty Pepper
Writer:
Joshua Tyler
Miranda Tapsell
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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