A work in constant progress (and occasional regress).
Release Date:
January 1, 2006
Original Title:
Zur Bauweise des Films bei Griffith
Ratings / Certifications:
N/A
Runtime: 9
In On Construction of Griffith' Films we picked a sequence from Griffith Intolerance (1916). It shows a dialogue between a man and a woman, filmed and edited as shot and counter shot. We reproduce the shot on two monitors to reveal its narrative character and also because analysis requires us to dissect something. The narrative form of shot / counter shot, which would later become the norm for depicting dialogue in film, remains novel here. A few years earlier Griffith had still used tracking shots to tell his stories. In The Lonedale Operator (1911), cuts were made only when the scene changed; a cut in the movie's story line. In Intolerance, cinematography had already achieved such a level of independence that it was the camera that constituted a room with it's detail. -Harun Farocki
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.