A work in constant progress (and occasional regress).
Release Date:
March 28, 1966
Original Title:
La dama del alba
Genres:
Drama
Production Companies:
Films Rovira Beleta
Jad Films
Production Countries:
France | Spain
Ratings / Certifications:
N/A
Runtime: 101
It is three years since Martín's wife, Angélica, mysteriously disappeared in the waters of the river. Despite the bad weather and ignoring the advice of Angélica's mother, Martín leaves the house. At that moment a strange pilgrim arrives in search of shelter. She can only stop for a few minutes because she has to go to the bridge to meet Adela, a girl with an appointment with Death.
Camera Operator:
Roberto Ochoa
Blas Martí
Costume Design:
Manuel María Saló
Rafael Abienzo
Director:
Francisco Rovira Beleta
Director of Photography:
Pierre Montazel
Editor:
Emilio Rodríguez
Makeup Artist:
Práxedes Martínez
Music Arranger:
Federico Martínez Tudó
Production Manager:
Miguel Grau
Set Decoration:
Alfonso de Lucas
Writer:
Alejandro Casona
Manuel María Saló
Francisco Rovira Beleta
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.