A work in constant progress (and occasional regress).
Release Date:
December 3, 1997
Original Title:
Office Killer
Alternate Titles:
La asesina de la oficina
Genres:
Comedy | Horror | Thriller
Production Companies:
Good Fear Films
Good Machine
Kardana-Swinsky
Strand Releasing
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 82
When Dorine Douglas' job as proofreader for Constant Consumer magazine is turned into an at-home position during a downsizing, she doesn't know how to cope. But after accidentally killing one of her co-workers, she discovers that murder can quench the loneliness of her home life, as a macabre office place forms in her basement, populated by dead co-workers.
ADR Recordist:
Andy Kris
Additional Editor:
Alex Hall
Additional Photography:
Trish Govoni
Art Direction:
Ford Wheeler
Assistant Accountant:
Ivana Damjanov
Assistant Camera:
Lloyd Handwerker
Assistant Editor:
Nicole Monte
Hilary Peabody
Yvette Mattern
Myron Kerstein
Jessica Levin
Nelson Ryland
Damon Skinner
Assistant Location Manager:
Gayle Vangrofsky
Assistant Production Coordinator:
Jodi Lahaye
Assistant Property Master:
Maria Wagner
Assistant Sound Editor:
Ajae Clearway
Evan T. Chen
Best Boy Electric:
Philip J. Martinez
Best Boy Grip:
Michael Audino
Boom Operator:
Jennifer Martinez
Camera Production Assistant:
Teri Kennedy
Carpenter:
David Krueger
Casting:
Kerry Barden
Billy Hopkins
Suzanne M. Smith
Casting Assistant:
Pat Distefano
Casting Associate:
Jennifer McNamara
Co-Writer:
Todd Haynes
Construction Coordinator:
Andrea Stanley
Costume Design:
Todd Thomas
Craft Service:
Susannah Sheppard
Dailies Manager:
Joe Violante
Director:
Cindy Sherman
Director of Photography:
Russell Lee Fine
Dolby Consultant:
Tim J. Carroll
Dolly Grip:
Andy Thomas
Charlotte R. Snyder
Editor:
Merril Stern
Electrician:
Deidre Lally
Executive In Charge Of Production:
Anthony Bregman
Executive Producer:
James Schamus
Tom Carouso
John N. Hart
Ted Hope
Extras Casting:
Karen E. Etcoff
First Assistant Director:
Jude Gorjanc
Foley Artist:
Brian Vancho
Foley Recording Engineer:
George A. Lara
Gaffer:
Kristy Tully
Grip:
Daniel Mason
Hairstylist:
Josefina Fernández
Evelyn Ortman
Key Grip:
T. Colin Dodd
Leadman:
Ian Chorao
Legal Services:
Susan H. Bodine
Location Manager:
Andy Clark
Location Scout:
Yvette Mattern
Makeup Artist:
Josefina Fernández
Evelyn Ortman
Music Supervisor:
Randall Poster
Negative Cutter:
Stan Sztaba
Patricia Sztaba
Original Music Composer:
Evan Lurie
Post Production Supervisor:
John J. Leonard
Producer:
Pamela Koffler
Christine Vachon
Production Accountant:
Michael Rath
Production Assistant:
James Price
Jeremy Sherman
Terry Roethlein
Christopher Savage
Anthony Medina
Production Coordinator:
John J. Leonard
Production Design:
Kevin Thompson
Production Intern:
Quentin Dunne
Nick Calton
Corey Gardos
Jeremiah Kipp
Property Master:
David Doernberg
Scenic Artist:
Katie Merz
Screenplay:
Elise MacAdam
Tom Kalin
Script Supervisor:
Sandrine Muller
Second Assistant Camera:
Eryn A. Defontes
Second Assistant Director:
Cindy Craig
Second Second Assistant Director:
Victoria Robinson
Security:
Wayne Petrocelli
Set Decoration:
Amy Beth Silver
Set Dresser:
Thi-Linh Le
Sound Editor:
Mick Gormaley
Sylvia Menno
W. Sweeney
Sound Mixer:
Neil Danziger
Sound Re-Recording Mixer:
David Novack
Special Effects Coordinator:
Drew Jiritano
Special Effects Makeup Artist:
Rob Benevides
Still Photographer:
Joyce George
Christopher L. Smith
Story:
Elise MacAdam
Cindy Sherman
Stunt Coordinator:
Manny Siverio
Stunts:
David Shumbris
Steve Mack
David S. Lomax
John Copeman
Victor Chan
Supervising Sound Editor:
Eliza Paley
Paul P. Soucek
Title Designer:
Marlene McCarty
Transportation Coordinator:
Kevin Flynn
Unit Production Manager:
M. Blair Breard
Wardrobe Assistant:
Lisa Dorr
Wardrobe Intern:
Elle Ruczowska
Wardrobe Supervisor:
Andrea Swistak
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.