A work in constant progress (and occasional regress).
Release Date:
March 8, 2019
Original Title:
The Kid
Alternate Titles:
The Kid
The Kid - Der Pfad des Gesetzlosen
スリー・ジャスティス 孤高のアウトロー:2019
Genres:
Action | Drama | Western
Production Companies:
Mimran Schur Pictures
Suretone Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 16 DE: 16 ES: 16 FR: 16 GB: 15 JP: R15+ PL: 16 PT: M/14 RU: 18+ US: R
Runtime: 100
New Mexico Territory, 1880. Rio Cutler and his older sister Sara must abandon their home after an unfortunate event happens. In their desperate flee to Santa Fe, they cross paths with the infamous outlaw Billy the Kid and his gang, who are ruthlessly pursued by a posse led by Sheriff Pat Garret.
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ADR Mixer:
Krissopher Chevannes
Tom O'Connell
ADR Voice Casting:
Barbara Harris
Art Department Assistant:
Sarah Iha
Art Department Coordinator:
Kellie Lockhart
Art Direction:
R. A. Arancio-Parrain
Assistant Director:
Cindy Serigatto
Assistant Editor:
Julie Carr
Assistant Location Manager:
Erik Keeling-Torrez
Assistant Production Coordinator:
Dustin DellaVecchia
Assistant Property Master:
Lawrence Tolle
Associate Producer:
Rick Solano
Cara Salmeri
Gaurav Misra
Vikram Singh Lamba
Best Boy Electric:
Drew Louis
Best Boy Grip:
David J. Higgins
Boom Operator:
Daniel Carlton
Camera Operator:
Juergen Heinemann
Casting:
Mary Vernieu
Riva Cahn Thompson
Casting Assistant:
Samantha Plont
Casting Associate:
James Watlington
Jennifer Schwalenberg
Raylin Sabo
Riva Cahn Thompson
Casting Director:
Angelique Midthunder
Colorist:
Nat Jencks
Construction Coordinator:
John Trapp
Costume Designer:
Ruby Katilius
Costume Supervisor:
Shaun Garcia
Costumer:
Lena McIntyre
Dialogue Editor:
Mary Ellen Porto
Eric Hirsch
Director:
Vincent D'Onofrio
Director of Photography:
Matthew J. Lloyd
Dolly Grip:
Harland Espeset
Editor:
Katie McQuerrey
Epk Camera Operator:
Luke T. Davis
Executive Producer:
Richard Brickell
Carl Stubner
Christian Mercuri
Jonathan Bross
Jonah Loop
JoJo Chehebar
Ali Jazayeri
David Gendron
Samir M. Patel
Sejal M. Patel
Dillon D. Jordan
First Assistant Camera:
Nick Shuster
Kingslea Bueltel
First Assistant Director:
James Currier
Foley Artist:
Leslie Bloome
Foley Mixer:
Ryan Collison
Gaffer:
Theodore Y. Bott
Greensman:
Angela Chapin
Hair Department Head:
Copper Perry
Key Costumer:
Jed Carter
Key Grip:
Hank Herrera
Key Hair Stylist:
Daniella Duque
Key Makeup Artist:
Bonnie Masoner
Leadman:
Adrian Segura
Lighting Technician:
Mackenzie Oneil
Line Producer:
Brent Morris
Location Manager:
Shani Orona
Makeup Artist:
Tarra D. Day
Svetlana Britt
Makeup Department Head:
Sweet P. Vaughn
Music Editor:
Philip Tallman
Original Music Composer:
Latham Gaines
Shelby Gaines
Producer:
Sam Maydew
David Mimran
Jordan Schur
Nick Thurlow
Production Accountant:
Kerry Newberry
Production Assistant:
Rhys Gilman
Production Coordinator:
Angela M. DeNike
Production Design:
Sara K. White
Production Secretary:
Nicholas R. Doyle
Property Master:
David D. Baumann
Screenplay:
Andrew Lanham
Script Supervisor:
Mara Herdmann
Seamstress:
Paula Trujillo
Second Assistant "A" Camera:
Lane Luper
Second Assistant "B" Camera:
Daniel Baas
Second Assistant Director:
Michael Chochol
Set Decoration:
Edward McLoughlin
Set Designer:
Brooke Peters
Set Dresser:
Adam Teschel
Loren Telles
George Brenner
James Cody Duncan
Sound Designer:
Mack Melson
Sound Effects Editor:
Patrick Cicero
Coll Anderson
Sound Mixer:
Mack Melson
Sound Re-Recording Mixer:
Bob Chefalas
Ryan Price
Eric Hirsch
Steadicam Operator:
Dana Morris
Still Photographer:
Ursula Coyote
Story:
Andrew Lanham
Vincent D'Onofrio
Stunt Coordinator:
Chad Dashnaw
Jake Dashnaw
Stunt Double:
Ryan Brown
Chad Dashnaw
Jordan Warrack
Wesley Scott
Lucas Swallow
Mary Towslee
Nick Myers
Supervising Sound Editor:
Benjamin Cheah
Ryan Price
Unit Production Manager:
Amy Eldridge
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.