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Deep Blue Sea 2 (2018) [R]

Release Date:
April 17, 2018

Original Title:
Deep Blue Sea 2

Alternate Titles:
Deep Blue Sea 2 - Stärker Intelligenter Tödlicher
Deep Blue Sea 2 Staerker Intelligenter Toedlicher

Genres:
Action | Horror | Science Fiction

Production Companies:
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
BR: 16  DE: 16  DK: 15  ES: 16  GB: 15  SK: 18  US: R 

Runtime: 94

Stronger. Wiser. Deadlier.

Overview from TheMovieDB

When shark conservationist Dr. Misty Calhoun is invited to consult on a top-secret project run by pharmaceutical billionaire Carl Durant, she is shocked to learn that the company is using unpredictable and highly aggressive bull sharks as its test subjects, which soon break loose and cause havoc.

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Performers

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Production

"A" Camera Operator:
Sven Vosloo

"B" Camera Operator:
Guy Hodgen

3D Artist:
Hein Oosthuizen

ADR Mixer:
Jason Oliver

ADR Recordist:
Barry Donnelly

Art Department Coordinator:
Shakeela Kingzley

Assistant Grip:
Anele Thobi
Lwazi Jokazi

Best Boy Grip:
Riyaad Majiet
Jason Venter

Boom Operator:
Claire Hesom

CG Supervisor:
Darrin Hofmeyr

Camera Loader:
Ezra Van Schalkwyk
Casey van der Touw

Carpenter:
Norman Jardim

Casting:
Harriet Greenspan

Characters:
Wayne Powers
Donna Powers
Duncan Kennedy

Co-Producer:
David Wicht

Compositing Lead:
Byron Tofas

Compositor:
Dylan Palmboom
Sven Hohmeier
Angelo Beceiro Collinicos

Construction Manager:
Hugo Queiroga

Costume Design:
Dihantus Engelbrecht

Costume Standby:
Carren Marchant

Costume Supervisor:
Misha du Toit

Dailies Operator:
Kyle Landman

Dialogue Editor:
Travis Crotts

Digital Compositor:
Christopher Bekker
Tyla Koen
Annel Rautenbach
David Jose Ferreira
Carelize Jacobs
Mathapo Tlou
Douw van Niekerk

Digital Imaging Technician:
Nigel Tompkins

Digital Intermediate Colorist:
Matt McFarland

Digital Intermediate Editor:
Christopher Obal

Digital Intermediate Producer:
Bruce Lomet

Director:
Darin Scott

Director of Photography:
Thomas L. Callaway

Editor:
Michael Trent

Electrician:
Justice Amadi
Julius Ndakwa
Moses Makateng

Epk Camera Operator:
Jan Du Toit

Executive Producer:
Tom Keniston

Extras Casting:
Craig Swanepoel

First Assistant Camera:
Adrian Boerlage

First Assistant Director:
Andre Weavind

Focus Puller:
Jonathan Kyle
Damien Walsh

Foley Editor:
Travis Crotts

Gaffer:
Guy Stallard
Gilles Boisacq

Grip:
Wayne Richards
Zaheer Ismail

Key Grip:
Mark Forster
Roderick Dean Smith

Key Makeup Artist:
Juanette Van Der Merwe

Location Manager:
Johan van Huyssteen

Makeup Designer:
Niqui da Silva

Marine Coordinator:
Fraser James

Music Editor:
Christopher M. Foster

Original Music Composer:
Sean Murray

Producer:
Tom Siegrist

Production Accountant:
Riaan Cordier

Production Assistant:
Shannyn Zorab

Production Coordinator:
Mayra Garcia

Production Design:
Franz Lewis

Script Supervisor:
Ashley Aldworth

Second Unit Director of Photography:
Sven Vosloo

Sound Mix Technician:
Kurt Godwin

Sound Re-Recording Mixer:
Clayton Weber
Fred Paragano

Special Effects Coordinator:
Lise-Marie Bothma

Special Effects Supervisor:
Max Poolman

Story:
Hans Rodionoff

Storyboard Artist:
Mark Risk

Supervising Sound Editor:
Clayton Weber

Teleplay:
Erik Patterson
Hans Rodionoff
Jessica Scott

Underwater Camera:
Brendon Bennett

Unit Publicist:
Helene Turvey

Visual Effects Editor:
Stephanie Traut
Maria Friesen

Visual Effects Supervisor:
Marc Bloch
Marco Raposo de Barbosa

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.