A work in constant progress (and occasional regress).
Release Date:
October 11, 2019
Original Title:
The Day Shall Come
Alternate Titles:
O Dia Virá
终有一天
그날이 온다: 수상한 협상
수상한 협상
Genres:
Comedy
Production Companies:
Archer Gray
BFI
Film4 Productions
See-Saw Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
FR: 16 GB: 15 IE: 15 KR: 15 TW: 保護級
Runtime: 87
An impoverished leader of a small religious commune in Miami is offered cash to save his family from eviction. He has no idea his sponsor works for an FBI agent, who plans to turn him into a criminal by fueling his madcap revolutionary dreams.
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Animal Coordinator:
Lorenzo Roca
Art Direction:
Giselle Madera
Associate Producer:
Faisal A. Qureshi
Casting:
Julie Harkin
Casting Director:
Henry Russell Bergstein
Douglas Aibel
Costume Design:
Marci Rodgers
Vera Chow
Director:
Chris Morris
Director of Photography:
Marcel Zyskind
Editor:
Billy Sneddon
Executive Producer:
Deepak Nayar
Jennifer Roth
First Assistant Director:
Andi Coldwell
Ramses del Hierro
Hair Department Head:
Nikki Bell
Line Producer:
Karl Liegis
Original Music Composer:
Sebastian Rochford
Chris Morris
Jonathan Whitehead
Producer:
Anne Carey
Iain Canning
Emile Sherman
Production Designer:
Lucio Seixas
Set Decoration:
María Fernanda Sabogal
Sound Designer:
Martin Beresford
Stunt Coordinator:
Claudiu-Cristian Prisecaru
Stunt Double:
Juan Miguel Carela
Stunts:
Rocio Cruz Gonzalez
Unit Production Manager:
Scott Clackum
Writer:
Chris Morris
Jesse Armstrong
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.