A work in constant progress (and occasional regress).
Featuring:
Laura Antonelli, Diego Abatantuono, Roberto Della Casa
Written by:
Mario Amendola
Bruno Corbucci
Cesare Frugoni
Directed by:
Carlo Vanzina
Release Date:
October 21, 1982
Original Title:
Viuuulentemente mia
Alternate Titles:
Viuuulentemente Mia
Genres:
Comedy
Production Companies:
Horizon Productions
Paneuropean Production Pictures
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 88
Clumsy public security officer helps an adventurer (Laura Antonelli) to escape from Italy. In order not to undergo a punitive transfer to Barbagia, he goes back on the woman's trail to take her to prison.
The rich Anna Tassotti Maloni is un'evasore tax, following a police raid, she is forced to repair outside Italy. On the way to the airport, it collides with police car, driven by Achille Cotton who, unaware of who he faced, to apologize for causing the accident offers to accompany her to the airport. Party plane, the arrival of a superior Cotton realizes he made a big mistake.Achilles manages to find Anna in Spain, held by the police for lack of documents, and begins its long journey of recovery thousand adventures. Arrived in Ibiza with his superior to return the fugitive in Italy, he is persuaded by Anne to go to lunch at the restaurant of a close friend, who tries to help by putting a laxative in the food of the two policemen (but getting only the shelter of top of cotton).Achilles is therefore to manage the situation alone and, to avoid the strike of air traffic controllers, confiscates private jet Anna to return to Italy. The bad weather, however, precipitate the aircraft in Corsica, where the two share a yacht with her former stolen. Arrived in Italy, Anna Cotton fails to deliver to the authorities, but is still sent to Sardinia for the troubles that have combined. Anna comes out of jail is to find Achilles, which has fallen in love. The two begin to plan their future together, already thinking about the name to give to a future son Achilles proposes Wool, Cotton Wool.
Administration:
Carlo Del Marro
Alberto De Stefani
Assistant Camera:
Guido Tosi
Mario Bagnato
Assistant Editor:
Vanda Olasio
Patrizia Innocenzi
Assistant Production Design:
Franca Viganò
Boom Operator:
Piero Fondi
Ettore Mancini
Camera Operator:
Claudio Morabito
Giovanni Fiore Coltellacci
Costume Design:
Bruna Parmesan
Director:
Carlo Vanzina
Director of Photography:
Alberto Spagnoli
Editor:
Raimondo Crociani
Executive Producer:
Sandro Amati
First Assistant Director:
Bruno Cortini
Foley Artist:
Alvaro Gramigna
Gaffer:
Fernando Massaccesi
Hairstylist:
Mirella Ginnoto
Maria Rizzo
Key Grip:
Giacomo Tomaselli
Makeup Artist:
Gianfranco Mecacci
Gilberto Provenghi
Original Music Composer:
Armando Trovajoli
Production Design:
Fiorenzo Senese
Production Manager:
Pietro Innocenzi
Production Secretary:
Sandra Pugliesi
Screenplay:
Cesare Frugoni
Enrico Vanzina
Carlo Vanzina
Script Supervisor:
Cinzia Malatesta
Set Decoration:
Claudio Cinini
Sound:
Carlo Palmieri
Sound Mixer:
Danilo Moroni
Still Photographer:
Antonio Benetti
Story:
Bruno Corbucci
Mario Amendola
Unit Manager:
Umberto Innocenzi
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.