A work in constant progress (and occasional regress).
Release Date:
October 20, 1995
Original Title:
Never Talk to Strangers
Alternate Titles:
Never Talk to Strangers - Spiel mit dem Feuer
Nunca hables con extraños
Незнакомец
Genres:
Romance | Thriller
Production Companies:
Alliance Films
Elite Film
TriStar Pictures
Production Countries:
Canada | Germany | United States of America
Ratings / Certifications:
CZ: 15+ DE: 16 HU: 16 JP: R18+ US: R
Runtime: 86
Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a cause of this relationship, she changes her personality when she begins to receive anonymous telephone calls.
ADR Editor:
Jeremy MacLaverty
ADR Recordist:
Todd Warren
Darcy Kite
Jack Heeren
Additional Editing:
Susan Shipton
Marcus Manton
Additional Photography:
Harry Lake
Additional Sound Re-Recording Mixer:
Scott Purdy
Assistant Accountant:
Taylor Turzanski
Greg Eby
Assistant Editor:
Joanne Harland
Dov Samuel
Liz Roe
Assistant Foley Artist:
Paul Fox
Gina Gyles
James A. Gore
Assistant Hairstylist:
Kai Marks
Assistant Location Manager:
Martin Dzatko
Assistant Makeup Artist:
Lisa Rankine
Assistant Production Coordinator:
Natalie Card
Seana O'Neill
Assistant Property Master:
Asunta Blair
Assistant Sound Editor:
Daniel Hamood
Michelle Kaminer
Sandrine Isabelle
Ed Douglas
Janice Ierulli
Roderick Deogrades
Associate Producer:
Tom Willey
Roberto Silvi
Best Boy Electric:
Anthony Ramsey
Best Boy Grip:
Neil Fraser
Boom Operator:
Craig Baker
Casting:
Jon Comerford
Casting Associate:
Susannah Coneybeare
Chief Lighting Technician:
Ian Bibby
Co-Producer:
Harald Reichebner
Ralph S. Dietrich
Jean Desormeaux
Construction Coordinator:
Fred Mendelson
Costume Design:
Terry Dresbach
Dialogue Editor:
Dale Sheldrake
Sue Conley
Director:
Peter Hall
Director of Photography:
Elemér Ragályi
Dolly Grip:
Imre Sisa
Editor:
Roberto Silvi
Executive Producer:
Robert Lantos
Rebecca De Mornay
Barbet Schroeder
Extras Casting:
Nancy Botting-Harrison
First Assistant Art Direction:
Kathleen Climie
First Assistant Camera:
Tony Guerin
First Assistant Director:
Myron Hoffert
First Assistant Editor:
Cherie MacNeill
Lee Michael Searles
Focus Puller:
Tony Guerin
Foley Artist:
Terry Burke
Andy Malcolm
Peter McBurnie
Foley Recordist:
Christian T. Cooke
Tony Van den Akker
David Rose
Key Grip:
Mark Silver
Key Hair Stylist:
Lana Chirco
Key Makeup Artist:
Desne J. Holland
Key Scenic Artist:
Stephen Willetts
Lead Set Dresser:
Doug McCullough
Elizabeth Calderhead
Location Manager:
Derek Brady
Location Production Assistant:
Chris Shaw
Music Consultant:
Alan Anton
Music Editor:
Yuri Gorbachow
Original Music Composer:
Pino Donaggio
Post Production Accountant:
Aileen Bell
Post Production Coordinator:
Reva Smilkstein
Samantha Dubiel
Esther Behar
Corrina Holunga
Post Production Supervisor:
Gregor Hutchison
Producer:
András Hámori
Martin Wiley
Jeffrey R. Neuman
Production Accountant:
Joanne Jackson
Production Assistant:
Neil Olsen
Anna Beben
Avi Federgreen
Production Coordinator:
Lynn Mallay
Production Design:
Richard Paris
Linda Del Rosario
Property Master:
Robert Blair
Prosthetics:
Don McCloud
Greg Nicotero
Screenplay:
Jordan Rush
Lewis A. Green
Script Supervisor:
Joanne T. Harwood
Second Assistant Camera:
Jayson Clute
Second Assistant Director:
Simon Board
Set Decoration:
Richard Paris
Sound Effects Editor:
Jane Tattersall
David McCallum
Sound Mixer:
Chaim Gilad
Sound Re-Recording Mixer:
Tim O'Connell
Don White
David Appleby
Special Effects:
Brock Jolliffe
Special Effects Supervisor:
Frank C. Carere
Still Photographer:
Kerry Hayes
Stunt Coordinator:
Rick Forsayeth
Stunts:
Jamie Jones
Matt Birman
Sue Parker
Supervising Sound Editor:
Jane Tattersall
Third Assistant Director:
Rob Fowler
Transportation Captain:
Dennis Kuss
Transportation Coordinator:
Orest W. Muz
Unit Production Manager:
Dennis Chapman
Unit Publicist:
Prudence Emery
Visual Effects Supervisor:
Jon Campfens
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.