A work in constant progress (and occasional regress).
Release Date:
October 20, 1995
Original Title:
Never Talk to Strangers
Alternate Titles:
Never Talk to Strangers - Spiel mit dem Feuer
Nunca hables con extraños
Незнакомец
Genres:
Romance | Thriller
Production Companies:
Alliance Films
Elite Filmproduktion
TriStar Pictures
Production Countries:
Canada | Germany | United States of America
Ratings / Certifications:
CZ: 15+ DE: 16 HU: 16 JP: R18+ US: R
Runtime: 86
Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a cause of this relationship, she changes her personality when she begins to receive anonymous telephone calls.
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ADR Editor:
Jeremy MacLaverty
ADR Recordist:
Darcy Kite
Todd Warren
Jack Heeren
Additional Editing:
Susan Shipton
Marcus Manton
Additional Photography:
Harry Lake
Additional Sound Re-Recording Mixer:
Scott Purdy
Assistant Accountant:
Taylor Turzanski
Greg Eby
Assistant Editor:
Dov Samuel
Liz Roe
Joanne Harland
Assistant Foley Artist:
James A. Gore
Gina Gyles
Paul Fox
Assistant Hairstylist:
Kai Marks
Assistant Location Manager:
Martin Dzatko
Assistant Makeup Artist:
Lisa Rankine
Assistant Production Coordinator:
Natalie Card
Seana O'Neill
Assistant Property Master:
Asunta Blair
Assistant Sound Editor:
Janice Ierulli
Ed Douglas
Daniel Hamood
Roderick Deogrades
Sandrine Isabelle
Michelle Kaminer
Associate Producer:
Tom Willey
Roberto Silvi
Best Boy Electric:
Anthony Ramsey
Best Boy Grip:
Neil Fraser
Boom Operator:
Craig Baker
Casting:
Jon Comerford
Casting Associate:
Susannah Coneybeare
Chief Lighting Technician:
Ian Bibby
Co-Producer:
Ralph S. Dietrich
Harald Reichebner
Jean Desormeaux
Construction Coordinator:
Fred Mendelson
Costume Design:
Terry Dresbach
Dialogue Editor:
Sue Conley
Dale Sheldrake
Director:
Peter Hall
Director of Photography:
Elemér Ragályi
Dolly Grip:
Imre Sisa
Editor:
Roberto Silvi
Executive Producer:
Rebecca De Mornay
Robert Lantos
Barbet Schroeder
Extras Casting:
Nancy Botting-Harrison
First Assistant Art Direction:
Kathleen Climie
First Assistant Camera:
Tony Guerin
First Assistant Director:
Myron Hoffert
First Assistant Editor:
Lee Michael Searles
Cherie MacNeill
Focus Puller:
Tony Guerin
Foley Artist:
Andy Malcolm
Terry Burke
Peter McBurnie
Foley Recordist:
Tony Van den Akker
Christian T. Cooke
David Rose
Key Grip:
Mark Silver
Key Hair Stylist:
Lana Chirco
Key Makeup Artist:
Desne J. Holland
Key Scenic Artist:
Stephen Willetts
Lead Set Dresser:
Elizabeth Calderhead
Doug McCullough
Location Manager:
Derek Brady
Location Production Assistant:
Chris Shaw
Music Consultant:
Alan Anton
Music Editor:
Yuri Gorbachow
Original Music Composer:
Pino Donaggio
Post Production Accountant:
Aileen Bell
Post Production Coordinator:
Corrina Holunga
Samantha Dubiel
Reva Smilkstein
Esther Behar
Post Production Supervisor:
Gregor Hutchison
Producer:
András Hámori
Jeffrey R. Neuman
Martin Wiley
Production Accountant:
Joanne Jackson
Production Assistant:
Anna Beben
Avi Federgreen
Neil Olsen
Production Coordinator:
Lynn Mallay
Production Design:
Linda Del Rosario
Richard Paris
Property Master:
Robert Blair
Prosthetics:
Greg Nicotero
Don McCloud
Screenplay:
Jordan Rush
Lewis A. Green
Script Supervisor:
Joanne T. Harwood
Second Assistant Camera:
Jayson Clute
Second Assistant Director:
Simon Board
Set Decoration:
Richard Paris
Sound Effects Editor:
Jane Tattersall
David McCallum
Sound Mixer:
Chaim Gilad
Sound Re-Recording Mixer:
David Appleby
Tim O'Connell
Don White
Special Effects:
Brock Jolliffe
Special Effects Supervisor:
Frank C. Carere
Still Photographer:
Kerry Hayes
Stunt Coordinator:
Rick Forsayeth
Stunts:
Sue Parker
Jamie Jones
Matt Birman
Supervising Sound Editor:
Jane Tattersall
Third Assistant Director:
Rob Fowler
Transportation Captain:
Dennis Kuss
Transportation Coordinator:
Orest W. Muz
Unit Production Manager:
Dennis Chapman
Unit Publicist:
Prudence Emery
Visual Effects Supervisor:
Jon Campfens
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.