A work in constant progress (and occasional regress).
Release Date:
September 26, 2019
Original Title:
Ride Like a Girl
Alternate Titles:
Corre como una chica
라이드 라이크 어 걸
Genres:
Drama
Production Companies:
Embankment Films
Screen Australia
Silver Reel
Transmission Films
Production Countries:
Australia | Switzerland | United Kingdom
Ratings / Certifications:
AU: PG ES: APTA GB: PG JP: G KR: ALL NZ: PG RU: 12+
Runtime: 98
The story of Michelle Payne, the first female jockey to win the Melbourne Cup.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Jessica Clarke-Nash
Camera Operator:
Stephen Oh
Rob Stagg
Warwick Field
Casting:
Nikki Barrett
Casting Assistant:
Claudia Allison
Costume Design:
Cappi Ireland
Director:
Rachel Griffiths
Director of Photography:
Martin McGrath
Editor:
Jill Bilcock
Maria Papoutsis
Executive Producer:
Tim Haslam
Extras Casting:
Fiona McMaster
First Assistant "A" Camera:
Matt Dobson
First Assistant "B" Camera:
Cameron Gaze
First Assistant Director:
Chris Webb
Makeup Artist:
Nele Pandis
Original Music Composer:
David Hirschfelder
Producer:
Richard Keddie
Production Design:
Carrie Kennedy
Script Coordinator:
Alli Parker
Script Supervisor:
Susie Struth
Second Assistant "A" Camera:
Aidan Heller
Second Assistant Camera:
Vanessa Orzlowski
Second Assistant Director:
Angella McPherson
Second Second Assistant Director:
Erin Lander
Still Photographer:
Lachlan Moore
Narelle Portanier
Third Assistant Director:
Michael McLean
Writer:
Andrew Knight
Elise McCredie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.