A work in constant progress (and occasional regress).
Release Date:
August 14, 1968
Original Title:
Adieu l'ami
Alternate Titles:
Adeus, Amigo
Bei Bullen singen Freunde nicht
Bei Bullen „singen" Freunde nicht
Du kannst anfangen zu beten
Honor Among Thieves
The Code
さらば友よ
Genres:
Action | Crime | Thriller
Production Companies:
Greenwich Film Production
Medusa Distribuzione
Production Countries:
France | Italy
Ratings / Certifications:
DE: 16 FI: K-16 PT: M/14 RO: 18 SE: 15
Runtime: 115
After serving together in the French Foreign Legion, a mercenary and a doctor leave the service and go their separate ways. Later, they are reunited and become involved with a caper involving millions in a high-security safe. The two men become locked in during a holiday weekend as they attempt to crack the safe's combination.
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Assistant Camera:
François About
Assistant Director:
Pierre Grunstein
Pierre Lary
Assistant Editor:
Catherine Gabrielidis
Assistant Production Design:
Enrique Sonois
Boom Operator:
Gabriel Salagnac
Camera Operator:
Bernard Noisette
Costume Design:
Tanine Autré
Dialogue:
Sébastien Japrisot
Director:
Jean Herman
Director of Photography:
Jean-Jacques Tarbès
Editor:
Hélène Plemiannikov
First Assistant Camera:
Claude Bourgoin
Key Makeup Artist:
Fernande Hugi
Location Manager:
Eric Simon
Novel:
Sébastien Japrisot
Original Music Composer:
François de Roubaix
Producer:
Serge Silberman
Production Design:
Jacques Dugied
Production Manager:
Ulrich Picard
Production Secretary:
Odette Darrigol
Screenplay:
Sébastien Japrisot
Jean Herman
Script Supervisor:
Aurore Pasquiss-Chabrol
Sound Editor:
Jean Labussière
Dominique Amy
Still Photographer:
Vincent Rossell
Stunt Coordinator:
Claude Carliez
Stunts:
Antoine Baud
Jean Minisini
Jacques Van Dooren
Unit Production Manager:
Jean Lara
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.