A work in constant progress (and occasional regress).
Release Date:
October 30, 2010
Original Title:
Embargo
Genres:
Comedy | Drama
Production Companies:
Diler & Associados
Persona Non Grata Pictures
RTP
Vaca Films
Production Countries:
Brazil | Portugal | Spain
Ratings / Certifications:
N/A
Runtime: 80
Nuno is a man working at a hot dog stand, who also invented a machine which promises to revolutionize the shoe industry- a foot scanner. In the middle of a gasoline embargo and finding himself in a strange predicament, Nuno becomes mysteriously confined to his car, finding his life suddenly embargoed.
Accountant:
Luis Goncalves
Dulce Gonçalves
Art Direction:
Luísa Bebiano
Assistant Director:
Tiago Sousa
Associate Producer:
Borja Pena
Emma Lustres
Diler Trindade
Boom Operator:
Miguel Franco
Camera Operator:
António Ferreira
Colorist:
Gonçalo Ferreira
Continuity:
Sandra Castiço
Costume Design:
Tathiani Sacilotto
Development Manager:
Fátima Dapena
Luana de Almeida
Director:
António Ferreira
Director of Photography:
Paulo Castilho
Dolly Grip:
Leandro Valente (Lee Fuzeta)
Editor:
Tiago Sousa
António Ferreira
Focus Puller:
Nuno Portugal
Foley Artist:
Miguel Barbosa
Gaffer:
João Ferreira
Daniel Baptista
Miguel Franco
Generator Operator:
Patrick Carter-Fea
Hair Designer:
Carlos Gago
Makeup Artist:
Andreia Moreira
Music Sound Design and Processing:
João Ganho
Novel:
José Saramago
Original Music Composer:
Luís Pedro Madeira
Producer:
Tathiani Sacilotto
António Ferreira
Production Accountant:
Cláudia Meireles
Rocío Freire
Jorge Luiz Lamenza
Production Assistant:
Teresa Magalhães
Thiego Balteiro
Production Manager:
Inês Prazeres
Production Secretary:
Magali Domingues
Ana Fernández
Sound Editor:
Carlos García
Sound Re-Recording Mixer:
Diego S. Staub
Sound Recordist:
Simão Lopes
Thanks:
Pilar del Río
Unit Manager:
Cristina Morales
Patrícia Novais
Visual Effects:
Leandro Valente (Lee Fuzeta)
Simão Lopes
Visual Effects Coordinator:
Rodrigo Lacerda
Wardrobe Assistant:
Bárbara Queirós
Writer:
Tiago Sousa
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.