A work in constant progress (and occasional regress).
Release Date:
March 1, 2018
Original Title:
Piripkura
Alternate Titles:
Piripkura: The Last Two Survivors
Genres:
Documentary
Production Companies:
Maria Farinha Filmes
Zeza Filmes
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 82
The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.
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Additional Editor:
Mariana Oliva
Bruno Jorge
Assistant Editor:
Julia Moutinho Gallego
Caio Bassetti
Maria Fernanda Camargo
Associate Producer:
Marta Andreu
Maurício Dias
Fernando Dias
Luana Lobo
Marcos Nisti
Estela Renner
Colorist:
Ely Silva
Consulting Editor:
Marta Andreu
Director:
Mariana Oliva
Renata Terra
Bruno Jorge
Director of Photography:
Bruno Jorge
Dado Carlín
Editor:
Leopoldo Nakata
Renata Terra
Executive Producer:
Mariana Oliva
Music Director:
Fil Pinheiro
Online Editor:
Tadeu Frede
Original Music Composer:
Vitor Araújo
Post Production Assistant:
Antonio Vassimon
Post Production Coordinator:
Caio Bassetti
Flavio Gayjutz
Post Production Supervisor:
José Francisco Neto
Production Coordinator:
Rodolfo Frederico Paes Junior
Sound Designer:
Fernando Henna
Sound Effects Editor:
Mariana Vieira
Sound Mixer:
Daniel Turini
Sound Recordist:
Gustavo Zysman Nascimento
Gustavo Lopes Canzian
Supervising Sound Editor:
Fernando Henna
Daniel Turini
Writer:
Renata Terra
Mariana Oliva
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.