A work in constant progress (and occasional regress).
Release Date:
July 12, 2019
Original Title:
The Art of Self-Defense
Alternate Titles:
A Arte da Autodefesa
El arte de defenderse
L'art de l'autodéfense
L'arte della difesa personale
La mejor defensa es un ataque
Umetnost samoodbrane
W obronie wlasnej
Искусство самообороны
ジ・アート・オブ・セルフ・ディフェンス
호신술의 모든 것
Genres:
Comedy | Drama | Mystery | Thriller
Production Companies:
End Cue
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 BR: 16 CA: R DE: 16 FI: K-16 FR: 12|16 GB: 15 KR: 15 MX: C PL: 16 RU: 16+ US: R
Runtime: 104
Casey is attacked at random on the street and enlists in a local dojo led by a charismatic and mysterious Sensei in an effort to learn how to defend himself. What he uncovers is a sinister world of fraternity, violence and hypermasculinity and a woman fighting for her place in it.
Additional Gaffer:
Scott Phelps
Art Direction:
Chad Blevins
Assistant Costume Designer:
Tora Eff
Assistant Director:
Diletta Di Nicolantonio
Best Boy Electric:
Eliot Brown
Best Boy Grip:
Daniel Williamson
Boom Operator:
Tasha Ann Ladwig
Chief Lighting Technician:
Matt Ware
Co-Producer:
Lisa Ciuffetti
Camille Bertrand
Costume Design:
Jami Villers
Digital Compositor:
Casey Curtiss
Digital Imaging Technician:
Jared Hardy
Director:
Riley Stearns
Director of Photography:
Michael Ragen
Dolly Grip:
David Lowe
Editor:
Sarah Beth Shapiro
Electrician:
Hunter Zieske
Zach Erwin
Executive Producer:
David Zellner
Nathan Zellner
Andrew Karpen
Munika Lay
Kent Sanderson
Fight Choreographer:
Mindy Kelly
First Assistant Camera:
Geoffrey Storts
First Assistant Director:
Siena Brown
Gaffer:
Matt Ware
Graphic Designer:
Gregory Sheppard
Grip:
Seth Ware
Hair Department Head:
Elissa Ruminer
Key Grip:
Tyler Buchholz
Key Makeup Artist:
Elissa Ruminer
Makeup Department Head:
Amy L. Forsythe
Original Music Composer:
Heather McIntosh
Producer:
Andrew Kortschak
Walter Kortschak
Stephanie Whonsetler
Cody Ryder
Production Design:
Charlotte Royer
Production Sound Mixer:
Chris Polczinski
Property Master:
Eli Kleinsmith
Prosthetic Designer:
Toby Sells
Screenplay:
Riley Stearns
Script Supervisor:
Brett Durbin
Second Assistant Camera:
Josh Boyd
Second Assistant Director:
Stephanie Adams
Second Second Assistant Director:
Erick Lagunes
Set Decoration:
Emily Blevins
Set Designer:
J. Ryan McCleney
Set Dresser:
Becca Brooks Morrin
Sound Effects Editor:
Raymond Park
Sound Re-Recording Mixer:
Demetri Evdoxiadis
Sound Recordist:
Zack Goldsborough
Special Effects Coordinator:
Wayne Beauchamp
Special Effects Makeup Artist:
Aaron Worman
Steadicam Operator:
Dave Ogle
Still Photographer:
Isaac Harrison
Stunt Coordinator:
Mindy Kelly
Stunt Double:
Josh Fried
T. Ryan Mooney
Nikki Stanley
Stunt Driver:
Dan Mast
Heather Bonomo
Steve Terada
Nick DeKay
Stunts:
Ross Kohnstam
Supervising Sound Editor:
Demetri Evdoxiadis
Utility Stunts:
John Ross
Visual Effects:
May Satsuki Asai
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.