A work in constant progress (and occasional regress).
Release Date:
October 21, 2017
Original Title:
リミット・ オブ・スリーピング ビューティ
Alternate Titles:
Rimitto obu surīpingu byūti
リミット・ オブ・スリーピング ビューティ
Genres:
Drama
Production Companies:
King Records
Studio3
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 89
Aki is an unsuccessful 29-year-old actress who eventually became a magician's assistant. While pretending to be hypnotised on the stage, Aki finds the boundary between reality and illusion becoming increasingly vague. For Aki, the only beautiful memory she has was the time spent with her lover Kaito.
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Art Designer:
Shintarô Matsumoto
Assistant Camera:
Kurumi Funakoshi
Yohei Mizumoto
Assistant Director:
Takehiro Shindo
Kotoe Tsutsumi
Boom Operator:
Shinichi Yoshii
Casting:
Kumiko Hosokawa
Co-Executive Producer:
Kiyoshi Murakami
Osamu Tanaka
Color Grading:
Masahiro Hasegawa
Compositor:
Takeshi Kitamura
Genta Wada
Yushi Tone
Yushi Tone
Coordinating Producer:
Takahiro Kannae
Costume Assistant:
Hitomi Taya
Mika Abe
Costume Designer:
Rika Murakami
Costumer:
Shintaro Miyakoshi
Director:
Ken Ninomiya
Director of Photography:
Daisuke Soma
Editor:
Ken Ninomiya
Executive Producer:
Yukihiko Yamaguchi
Toshiaki Sakamoto
First Assistant Director:
Ryo Yoshida
Lighting Technician:
Kôta Satô
Line Producer:
Takahito Obinata
Location Manager:
Akira Goto
Tomoki Ueda
Hiroyuki Takase
Makeup & Hair Assistant:
Kana Yamada
Kumiko Yamada
Makeup Artist:
Yumiko Tsuji
Music:
Tomohide Harada
Musician:
Hana
Tomohide Harada
Jun Takanohashi
Toshihiko Nagayama
Online Editor:
Tetsuro Tsukada
Producer:
Haruo Umekawa
Production Manager:
Nami Kikkawa
Screenplay:
Ken Ninomiya
Sound Effects:
Masatoshi Saito
Shiho Kume
Sound Engineer:
Ryotaro Higashi
Sound Mixer:
Takehiko Watanabe
Special Effects Makeup Artist:
Kiyoka Suzuki
Yoshinari Dohi
Atsushi Oomori
Still Photographer:
Kumiko Tsuchiya
Stunt Coordinator:
Makoto Yokoyama
Title Designer:
Hideki Takeuchi
Visual Effects Supervisor:
Yoshiaki Takahashi
Weapons Master:
Fumihiko Aida
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.