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Proxima (2019) [N/A]

Release Date:
November 27, 2019

Original Title:
Proxima

Alternate Titles:
O Espaço entre Nós
Proxima
Proxima - Die Astronautin
프록시마

Genres:
Drama

Production Companies:
Darius Films
Dharamsala
France 3 Cinéma
Pandora Film
Pathé

Production Countries:
France | Germany

Ratings / Certifications:
AT: 6  BR: 12  DE: 6  GB: 12  HU: 12  IE: 12A  JP: G  KR: 12  PL: 12  PT: M/12  RU: 16+  SE: 7  SK: 12 

Runtime: 107

Overview from TheMovieDB

Sarah is a French astronaut training at the European Space Agency in Cologne. She is the only woman in the arduous program. She lives alone with Stella, her seven year old daughter. Sarah feels guilty that she cannot spend more time with her child. Her love is overpowering, unsettling. When Sarah is chosen to join the crew of a year-long space mission called Proxima, it creates chaos in the mother-daughter relationship.

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Performers

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Production

Art Direction:
Anja Fromm

Casting:
Anaïs Duran

Co-Producer:
Ardavan Safaee
Nina Frese

Costume Designer:
Pascaline Chavanne

Costumer:
Fanny Rappange

Director:
Alice Winocour

Director of Photography:
Georges Lechaptois

Editor:
Julien Lacheray

First Assistant Director:
Nicolas Guilleminot

Key Hair Stylist:
Milou Sanner

Makeup & Hair:
Amy Byrne

Original Music Composer:
Ryuichi Sakamoto

Producer:
Isabelle Madelaine
Emilie Tisné

Production Design:
Florian Sanson

Screenplay:
Alice Winocour

Second Assistant Director:
Mallorie Ballestra-Duquesnoy

Set Decoration:
Camille Bougon-Pigneul

Sound:
Pierre André
Marc Doisne
Valérie Deloof

Special Effects Makeup Artist:
Pascal Larue
Olivier Afonso
Laetitia Hillion

Stunt Coordinator:
Rémi Canaple

Third Assistant Director:
Diane Capo

Visual Effects Producer:
Gaetan Baldy

Visual Effects Supervisor:
Hugues Namur

Writer:
Jean-Stéphane Bron

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.