A work in constant progress (and occasional regress).
Release Date:
July 10, 1992
Original Title:
Gas Food Lodging
Alternate Titles:
Se deg ikke tilbake
Verlorene Herzen
Genres:
Drama | Romance
Production Companies:
Cineville
Production Countries:
United States of America
Ratings / Certifications:
CZ: 12+ DE: 12 US: R
Runtime: 101
Nora, a single mother raising two teenage daughters, Shade and Trudi, waits tables at a truck-stop diner in a small New Mexico town. The beautiful and rebellious Trudi drops out of school and gets a job alongside Nora, while the younger Shade whittles away her time at Spanish movie matinees. Their lives are turned upside down when Trudi becomes pregnant and the girls' absent father returns.
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ADR Mixer:
Robert Deschaine
ADR Supervisor:
Phillip Linson
Additional Second Assistant Director:
Michael Gillis
Art Direction:
Lisa Denker
Carla Weber
Assistant Editor:
Paul Coyne
Gerald R. Heppler
Assistant Hairstylist:
Kim Chuisano
Assistant Makeup Artist:
Kim Chuisano
Assistant Sound Designer:
Larayne Decoeur
Assistant Sound Editor:
Trudy Yee
Steve Christopher
Associate Producer:
Gregor von Bismarck
Best Boy Grip:
David Dowell
Boom Operator:
Stephen R. Brown
Casting:
Sharon Bialy
Debi Manwiller
Richard Pagano
Janet Cunningham
Casting Assistant:
Dina Juntila
C.J. Wells
Costume Design:
Susan L. Bertram
Dialect Coach:
Tim Monich
Dialogue Editor:
Peter S. Carlstedt
Director:
Allison Anders
Director of Photography:
Dean Lent
Editor:
Tracy Granger
Electrician:
Jeff DeLucia
Richard Eric Lopez
Executive Producer:
Carl Colpaert
Christoph Henkel
First Assistant Camera:
Michael K. Millikan
First Assistant Director:
Matthew J. Clark
First Assistant Editor:
Pamela Choules
Foley Artist:
Joan Rowe
Gregg Barbanell
Foley Mixer:
Linda Corbin
Foley Recordist:
David Jobe
Gaffer:
Chuck Smith
Grip:
Jeff Turner
Key Grip:
Gregory M. Maselli
Key Hair Stylist:
Lorelei Loverde
Key Makeup Artist:
Lorelei Loverde
Line Producer:
Albert T. Dickerson III
Location Manager:
Jeff Kirshbaum
Music Supervisor:
Kevin Benson
Jerry Ross
Novel:
Richard Peck
Orchestrator:
Barry Adamson
Original Music Composer:
J. Mascis
Post Production Coordinator:
Robert Strauss
Producer:
Seth Willenson
William Ewart
Dan Hassid
Production Assistant:
Tom Wages
Fabio Fernandez
Jeff Miller
Production Coordinator:
Cari Schaefer
Production Design:
Jane Ann Stewart
Production Sound Mixer:
Clifford 'Kip' Gynn
Property Master:
Susan P. McCarthy
Screenplay:
Allison Anders
Script Supervisor:
Kate Lewis
Second Assistant Camera:
Carmen Bailey
Second Assistant Director:
Rosemary C. Cremona
Second Second Assistant Director:
Jim Goldthwait
Set Dresser:
Marty Meeks
Sound Designer:
Leonard Marcel
Sound Effects Editor:
Jim Gillam
Greg Conway
Sound Engineer:
Jim Cypherd
Sound Re-Recording Mixer:
Stanley Kastner
Sound Recordist:
Jim Gillam
Brion Pacassi
Wayne Anderson
Stand In:
Christy Sheldon
Still Photographer:
Anita Ingle
Storyboard Artist:
Pavel Cantu
Transportation Captain:
Sam McCutchen
Transportation Coordinator:
Jeff Kirshbaum
Wardrobe Assistant:
Yvette Walsh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.