A work in constant progress (and occasional regress).
Release Date:
December 5, 2018
Original Title:
Les Confins du monde
Alternate Titles:
Ans Ende der Welt
Až na Konce Světa
Na krańce świata
Os Confins do Mundo
На краю света
世界の果て
Genres:
Adventure | Drama | War
Production Companies:
Arches Films
Arena Films
Benji Films
Canal+
Ce qui me meut
Ciné+
Les Armateurs
Les films du Worso
Move Movie
Orange Studio
Pan-Européenne
Rectangle Productions
SCOPE Pictures
Same Player
Production Countries:
Belgium | France
Ratings / Certifications:
BR: 16 FR: 12|16
Runtime: 99
Indochina, 1945. While the French are harassed by both the Japanese army and the Vietnamese rebels, private Robert Tassen, driven by the memory of a tragedy of which he is the only survivor, embarks on the search for the mysterious and cruel Võ Bình Yên, one of the leaders of the insurrection.
ADR Engineer:
Thibaut Dupuis
ADR Supervisor:
Manon Medina
Additional Hairstylist:
Karine Walzack
Art Department Coordinator:
Hoai Anh Tran
Assistant Art Director:
Baptiste Magis
Assistant Camera:
Mario Oliva
Assistant Costume Designer:
Anne-Cécile Le Quere
Assistant Director:
Laure Prévost
Assistant Unit Manager:
Tristan Minault
Casting:
Brigitte Moidon
Casting Assistant:
François Rivière
Co-Producer:
Reginald de Guillebon
Bing Wu
Bin Chen
Wenge Xiao
Geneviève Lemal
Édouard Weil
Bruno Pésery
Étienne Comar
Gilles Sitbon
Vincent Roget
Philippe Godeau
Bruno Levy
Cédric Klapisch
Color Grading:
Richard Deusy
Evy Roselet
Construction Manager:
Mario Bels
Costume Designer:
Anaïs Romand
Costumer:
Louis Descols
Agathe Meinnemare
Dialogue Editor:
Fanny Weinzaepflen
Digital Compositor:
Etienne Allard
Mathieu Caré
Ludovic Gramont
Camille Juge
Benjamin Pelletreau
Téo Saintier
Director:
Guillaume Nicloux
Director of Photography:
David Ungaro
Editor:
Guy Lecorne
Executive Producer:
Benoît Jaubert
Nicholas Simon
Extras Casting:
Elise Cresson
First Assistant Camera:
Luc Pallet
First Assistant Editor:
Melanie Bigeard
Foley Artist:
Pascal Chauvin
Franck Tassel
Gaffer:
Stéphane Assié
Genetator Operator:
Olivier Garin
Hair Department Head:
Karine Meyer
Hairstylist:
Jérôme Ventura
Key Costumer:
Sarah Diehl
Key Grip:
Jean-François Garreau
Makeup Department Head:
Sylvie Ferry
Music Supervisor:
Thibault Deboaisne
Original Music Composer:
Shannon Wright
Producer:
Sylvie Pialat
Benoît Quainon
Étienne Comar
Production Accountant:
Lylie Almeida
Production Assistant:
Astrid Foulon
Hilaire Perthuis
Production Coordinator:
Lylie Almeida
Alejandro Arenas
Mai Suong Chu Thi
Production Design:
Olivier Radot
Production Manager:
Mat Troi Day
Jean-Yves Dupuis
Pier Laurenza
Production Supervisor:
Thi Bich Thuy Nguyen
Property Buyer:
Claire Sophie Plaksine
Property Master:
Christophe Offret
Screenplay:
Guillaume Nicloux
Jérôme Beaujour
Second Assistant Camera:
Camille Bertin
Set Costumer:
Léa Rutkowski
Sound:
Olivier Dô Hùu
Fanny Weinzaepflen
Benoît Hillebrant
Sound Editor:
Pierre Choukroun
Sound Re-Recording Mixer:
Olivier Dô Hùu
Fanny Weinzaepflen
Special Effects Assistant:
Oriane Cattiaux
Special Effects Supervisor:
Franck Carpentier
Sylvie Ferry
Transportation Captain:
Tram Thi Ngoc Pham
Visual Effects Director:
Alain Carsoux
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.