A work in constant progress (and occasional regress).
Release Date:
September 20, 2017
Original Title:
Keti lõpp
Alternate Titles:
À l'autre bout de la chaîne
Genres:
Drama
Production Companies:
Alexandra Film
Luxfilm
Production Countries:
Estonia
Ratings / Certifications:
CZ: 12+
Runtime: 81
A secluded fast food joint next to an empty parking lot, where it's good to go because nobody recognizes you there. On a rainy autumnal day, people show up one after the other – all of them on the verge of a breakdown – or perhaps a breakthrough? The main character, Waitress, sees and absorbs it all. One by one – through their personal drama – the clients push the Waitress towards her own edge.
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Assistant Art Director:
Reet Brandt
Mark Nettan
Sten-Jaago Vesso
Assistant Grip:
Mihkel-Emil Mikk
Mihkel Mäll
Ain Suik
Kalev Suik
Boom Operator:
Kristian Miilen
Casting:
Piret Toomvap-Schönberg
Marianne Ostrat
Co-Producer:
Priit Pääsuke
Olger Bernadt
Kārlis Jaunzems
Marju Lepp
Ville Penttilä
Gabija Siurbytė
Anu-Laura Tuttelberg
Manfred Vainokivi
Costume Design:
Eugen Tamberg
Director:
Priit Pääsuke
Director of Photography:
Meelis Veeremets
Editor:
Valter Nõmm
Meel Paliale
Priit Pääsuke
Margo Siimon
First Assistant Camera:
Kalvis Kulačkovskis
First Assistant Director:
Maria Kljukina
Gaffer:
Taivo Tenso
Grip:
Martin Tennokene
Makeup Artist:
Merike Petri
Kersti Niglas
Erle Vannus
Music:
Rainer Jancis
Ann Reimann
Producer:
Marianne Ostrat
Production Design:
Eugen Tamberg
Screenplay:
Paavo Piik
Second Assistant Camera:
Piret Krustok
Set Decoration:
Rein Nettan
Sound Director:
Ann Reimann
Sound Editor:
Sven Sosnitski
Theatre Play:
Paavo Piik
Visual Effects:
Andres Kluge
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.